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Christian Louboutin [1963-0] French
Rank: 101
Designer, Fashion Designer


Christian Louboutin is a French fashion designer whose footwear has incorporated shiny, red-lacquered soles that have become his signature.

Design, Attitude, Beauty, Morning, Music, Architecture, Best, Christmas, Communication, Dreams, Funny, Gardening, Good, Imagination, Love, Men, Movies, Poetry, Sad, Teacher, Time, Women



QuoteTagsRank
If you do what you love, it is the best way to relax. Best, Love
101
I would say that a good shoe is exactly like a good wine. These shoes are going to stay and last for a long time. Good, Time
102
There is an element of seduction in shoes that doesn't exist for men. A woman can be sexy, charming, witty or shy with her shoes. Men
103
Even if you don't like colours, you will end up having something red. For everyone who doesn't like colour, red is a symbol of a lot of culture. It has a different signification but never a bad one.
104
Istanbul is inspiring because it has its own code of architecture, literature, poetry, music. Architecture, Music, Poetry
105
High heels empower women in a way. Women
106
When a woman puts on a heel, she has a different posture, a different attitude. She really stands up and has a consciousness of her body. Attitude
107
I mean, the shoe - there is a music to it, there is attitude, there is sound, it's a movement. Clothes - it's a different story. There are a million things I'd rather do before designing clothes: directing, landscaping. Attitude, Music
108
I have no problem with the idea of comfort, but it is not an important thing aesthetically. If you look at a shoe and immediately say it looks very comfortable, in terms of design, it is not going to excite me. Of course, I am not putting nails in my shoes to ensure everybody is in pain, but a heel is not a pair of slippers and never will be. Design
109
The thing I always try to remember is that feet are attached to the leg, and that you must prolong the silhouette. The shoe elongates the leg and does it discreetly. The goal is to get people to look at a woman's legs. It's all about the leg. No, it's not about the leg. It's about the woman.
110
You need to believe in yourself and what you do. Be tenacious and genuine.
111
I remain faithful to bourbon sour. It's absolutely delicious. You'd have to ask a bartender what's in it, but I think if you know you might never have a drink. I also love a little rum, 7 years aged, brown, when it is chilly, before dinner.
112
When you sketch a shoe but don't have the intention to do a proper shoe, it remains a curvy sketch with no detail. The shoe completely morphs to the body.
113
The highest heels I do are six-inch heels - but mostly only dancers can wear them, since they are used to being on point in ballet shoes. Their feet are arched.
114
I like my customer to be fierce.
115
One thing I detest, I have to say, is when a shoe is too soft, and it's molding to the foot. This is quite disgusting. And I really, really hate incredibly long shoes, where the last is very pointy, almost like Aladdin.
116
The shiny red color of the soles has no function other than to identify to the public that they are mine. I selected the color because it is engaging, flirtatious, memorable, and the color of passion.
117
Men in high heels? That's a prosthesis. But I sympathise. Women have these giant heels. They get taller and taller. The men need help. But a man in heels is ridiculous.
118
Fashion isn't interesting when it comes from an uninspired place. It's like voodoo; we don't want things that are soaked in blood, sweat, and tears. I adore life, and I'm very easygoing - and it shows in my work.
119
People say I am the king of painful shoes. I don't want to create painful shoes, but it is not my job to create something comfortable. I try to make high heels as comfortable as they can be, but my priority is design, beauty and sexiness. I'm not against them, but comfort is not my focus. Beauty, Design
120
The higher the better. It's more about an attitude. High heels empower women in a way. Attitude
121
Designing my shoes, I'm thinking timeless. Not trendy.
122
A woman can be sexy, charming, witty or shy with her shoes.
123
Boredom is a concept that I don't understand.
124
A shoe has so much more to offer than just to walk.
125
High heels are pleasure with pain.
126
I wouldn't take it as a compliment if someone looked at one of my shoes and said, 'Oh, that looks like a comfortable shoe.' There is a heel that is too high to walk in, certainly. But who cares? You don't have to walk in high heels.
201
A shoe is not only a design, but it's a part of your body language, the way you walk. The way you're going to move is quite dictated by your shoes. Design
202
I'm a designer, and I think if you work in fashion, you have to give people fantasy. Design
203
A good pump is a silhouette, like the bone structure of the face. It's like a beautiful face with no make-up. You can cover a not-so-beautiful face with make-up, but it is just a mask - it is the same with shoes.
204
A woman carries her clothes. But the shoe carries the woman.
205
What was called extreme 20 years ago definitely isn't extreme anymore. When I started, I remember people saying, 'Oh my God, I can't walk in that!' It was like, three inches - they look like kitten heels now.
206
Funnily enough, the most difficult style to do is the plain pump because it needs to look good on a variety of feet. I compare it to having a good bone structure. Make-up will make you look good, but it helps if you have a good skeleton to begin with.
207
'Comfy,' that's one of the worst words! I just picture a woman feeling bad, with a big bottle of alcohol, really puffy. It's really depressing, but she likes her life because she has comfortable clogs.
208
You know, you cannot be comfortable on a high heel shoes the way you would be in sneakers. But, you know, not everyone wants to be on sneakers. Sneakers are for different purposes.
209
I was born in Paris in the mid-1960s, and by the time I was 12 I had started going to the movies by myself. Most of the movies of that period never appealed to me. I didn't like the 'naturalism,' the sad or the 'down-to-earth' characters. What I wanted from film was fantasy, dreams, funny situations, extravagant decor - and beautiful women. Dreams, Funny, Movies, Sad
210
There is a heel that is too high to walk in, certainly. But who cares? You don't have to walk in high heels.
211
If I could do shoes for anyone, it would be a special project for the Queen of England.
212
Madonna is a feminist and has been doing more for the cause than all the grumpy feminists, who are giving nothing back by being grumpy.
213
There are few plants that are ugly. It's how you use them that may not be pretty.
214
A lot of women don't like when they're sort of fat, but a fat foot is as beautiful as a skinny foot. Think of Greek statues. Look how many people love the foot of the baby! There is something super-charming about the baby foot.
215
A naked woman in heels is a beautiful thing. A naked man in shoes looks like a fool.
216
I hate the idea of natural. For example, I prefer gardens to wild nature. I like to see the human touch. High heels are a complete invention - an extravagance. They're far from natural, but it's the impracticality that I adore. I prefer the useless to the useful, the sophisticated to the natural.
217
I always loved fish for the colors and birds for the plumage. In the same way, I loved those women of the cabaret. They were birds of paradise.
218
I am very bad at drawing. Seriously. I can draw shoes. That's about it.
219
I love deep cleavage on the foot. It reminds me of Berlin in 1930s, 'Cabaret.'
220
Cinderella is not only an iconic character when it comes to beauty, grace and fairytale love, but also shoes. Beauty
221
I like Adele, Mika, Natacha Atlas and a beautiful old record, 'An Evening with Belafonte/Mouskouri,' starring Harry Belafonte and Nana Mouskouri. What they have in common is they all have incredible voices. I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.
222
Breakfast is a peaceful moment for me, so I never have the radio on, no music, no noise around. The only noise that is permitted is people's voices. It's a way for me to wake up without too much of a high speed feeling.
223
If I'm in Italy, I'm going to have a cappuccino and two small brioches and then a mix of orange and grapefruit. I don't drink tea in Italy.
224
A house is very much like a portrait. I cannot disconnect houses from people. The thought of arrangement, the curves and straight lines. It gives an indication of the character at the heart of it.
225
I have this disease that if I feel good somewhere, I... buy a house.
226
The highest heels I do are six-inch heels - but mostly only dancers can wear them, since they are used to being on point in ballet shoes.
301
I never had a plan. I have to say, I'm very shocked when people start a company and say, 'In five years I want to launch a perfume, or in 10 years I want to have this.' How can you know?
302
I listen to my stomach. It tells me when I am starving.
303
Shoes for men are about elegance or wealth; they are not playing with the inner character.
304
Fashion isn't interesting when it comes from an uninspired place.
305
In a creative business, if you're happy, it will come out in your work. I don't see how you can be happy if you don't like the people you're working with and if they aren't a joy to have fun with.
306
People are proud of their tattoos. It's like a modern coat of arms.
307
I'm really not a fascist. Everyone wears what they feel great in, or comfortable with. It's a beautiful day, you have an armless shirt: it goes with flip-flops.
308
The most outrageous shoe that I had to do was a shoe where the person gave me stones - precious stones - and say that I could do anything with precious stones.
309
My father, who was a cabinetmaker, told me, 'Wood has a grain and if you go into the grain, you have beauty. If you go against it, you have splinters - it breaks.' And I took that as my view of life. You have to follow the grain - to be sensitive to the direction of life. Beauty
310
Don't reject a shoe because you can't run in it. It's OK not to run.
311
When a woman buys shoes, she takes them out of the box and looks at herself in the mirror. But she isn't really looking at her shoes - she's looking at herself. If she likes herself, then she likes the shoes.
312
My shoes are perfect for the very sexy woman who wants to be elegant.
313
I feel I am a role model to many, not just for my designs, but also for the fact that I started my own company with the help of my two friends. I became a success story, and people relate to that.
314
When you are too specific on a target, it can drain you. Ask me where I will be when I am 60, and I will have no answer to give.
315
At age 12 or 13, I wanted to design for showgirls - for the theater! Design
316
My business partner gave me a drone, a small helicopter you pilot with an iPhone, and also it has a camera so you can see what it sees on the iPhone. Great fun. I fly it outside in Portugal. It's wonderful to oversee gardens.
317
I like to undress women - not to dress them. You know, like Manet's 'Olympia' or Helmut Newton's photographs - naked women with shoes. This is what I am trying to do.
318
Bollywood stars are versatile; they not only act, but each one has the dance skills of John Travolta in 'Saturday Night Fever.'
319
I'll do shoes for the lady who lunches, but it would be, like, a really nasty lunch, talking about men. But where I draw the line, what I absolutely won't do, is the lady who plays bridge in the afternoon!
320
I was born 20 years after my eldest sister. I was the pampered child. That kind of love gives you an almost unbreakable backbone. My mother had three kids before me. She let me be completely free. I just never had anything to beat myself up over.
321
I wanted to be a shoe designer, but I never thought it could be a profession. But what was the alternative? Doctor? Too dirty! Air-hostess? Maybe not! Then someone gave me a book on Roger Vivier, and, cheri, instantly I knew that was it!
322
The heel is engineering in itself. This little thing that supports the human weight has to have a precise balance.
323
Shoes for men are about elegance or wealth, they are not playing with the inner character. That is why women are happy to wear painful shoes.
324
My drawing for women is really curvy. My drawings for men are actually quite angular.
325
Strangely enough, I really think that shoes are a communication tool between people. Communication
326
I am interested in all things that celebrate and enhance the female form.
401
I am always surprised by who wears my shoes. This is a good thing. There is no type of woman, but all my women like to feel feminine. They are women who are happy to be women.
402
I prefer buying things and figuring out where to put them later than regretting not buying them.
403
I never had the dream to be a great designer. My focus was just to do beautiful things.
404
Born and raised in Paris, I am deeply attached to my city; we almost have half a century of love story together, where I have been truly completely faithful! The most beautiful city in the world is my city, yeepeeee!
405
Some people don't even know my name, but they know I am the man with the red soles.
406
I like to see people who are survivors wearing my shoes. I am fascinated by people who can bounce back.
407
I sketch literally all the time; constructing a collection is like building a family - you have to have a certain balance. I isolate myself - I need to be concentrated for this so I leave Paris, I leave to a place without a phone.
408
In Paris, I really do like to try and do nothing... but that's impossible.
409
My job is designing shoes. It's work that happens behind the scenes, as they say, and that suits me just fine because in general I am a shy person. But sometimes I have these extroverted outbursts.
410
During breakfast there is something I cannot resist, apart from my boyfriend - it's actually the phone. I have a phone breakfast. Always. I call friends, boyfriend, family. Checking who is where. 'Is everything fine?' This is breakfast.
411
I'm very detail oriented. Everything that takes a lot of dedication and creativity I do in the morning when there is light and I'm really concentrated. Morning
412
When I'm drawing, I'm drawing with the light, being completely open and creative. I can't draw in the evening. I need light and I need warmth if it is a summer thing, and I need cold if it is a winter collection. The good thing is that I have houses to go to whenever I'm working. I draw according to the place.
413
Fruit in the morning is such a big joy for me. I like to grab fruit from the tree, et cetera. I don't feel that way with vegetables. Fruit, you can eat it at any time, any moment, in any type of situation. I like everything about fruit; I like the color. Morning
414
I never wanted to design clothes. I never wanted to work for the fashion industry. Shoes sort of belong to the fashion industry, which is why I'm part of the fashion industry. But that's never been my thought. My thought since I was a child was really to design those shoes for girls on stage. Design
415
I hate the whole concept of the clog! It's fake, it's ugly, and it's not even comfortable!
416
Even today, I am still very child-like while designing. It's a bit like Christmas - each of your designs you create is like unravelling your presents. Christmas
417
If you are not bored by life, and your primary motto is enthusiasm and if you like your friends, family around you, it all translates into your designs. That's what keeps the creativity alive.
418
If I'm in the country, my big idea is to do nothing. It means talking, it means cooking with the leftovers in the fridge - l'art d'accommoder les restes - it means gardening. Gardening
419
For women raised in the '70s, high heels can still carry a stigma; they're associated with being stupid, with just wanting to please a man. Other women find them empowering.
420
A lot of my friends have tattoos; I realized that it's not only just a part of pop culture, but a bit of a map on someone's body, which says something about people. A part of their life, like an armor or a crest.
421
I have always loved tartans - such an ornamented type of weaving, so vivid in colour, and such a masculine aspect. But actually, I think tartans can be feminine or masculine.
422
I perfectly understand the obsession with shoes. I myself am pretty obsessed. I have a few hundred pairs of shoes in general, because I've been collecting shoes for a long time.
423
I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.
424
The shoe is very much an X-ray of social comportment.
425
Being an artist is being at the service of yourself; I am at the service of other people.
426
When I have meetings scheduled so tight that I can't go to the loo, that's where I draw the line!
501
I haven't yet met a woman who told me, 'I wish I had shorter legs.'
502
For me there ain't no high heel high enough.
503
Part of my work is dedicated to artisanship and can only be done by very few people because it requires a specific technique. Being an artist is being at the service of yourself; I am at the service of other people.
504
I hate the whole concept of comfort! It's like when people say: 'Well we're not really in love but we're in a comfortable relationship.' You're abandoning a lot of ideas when you're too into comfort.
505
The core of my work is dedicated not to pleasing women, but to pleasing men. Men are like bulls. They cannot resist the red sole.
506
It is extremely necessary to realize that the world doesn't only have one way of seeing things.
507
Passage Vero-Dodat - I started my company on this passage. It feels as much home as it can!
508
One moves more slowly in heels. Walking fast is neither sexy nor engaging. Nobody notices the people who race around. If you're walking in heels, you've got time. It's much more attractive.
509
I was always shouted at by my teacher because I would draw straight on the table in the school. Teacher
510
Being on a trapeze is like dreaming. I feel totally outside of myself when I'm flying. You know, designing shoes, my imagination is flying in my drawings. Imagination
511
If I could do shoes for anyone, it would be a special project for the Queen of England. She and the Pope are the ultimate clients.
512
In designing shoes for myself; I'm not thinking of a specific person or catwalk. I'm just not thinking of clothes at all. I'm always thinking of a naked woman, actually.
513
In France you cannot not have lunch. If you stopped the French from having lunch, you will have a second revolution, I can tell you this. Not going to work - it is part of the French privilege.
514
My relationship with shoes has always been linked to shoes, women, women in their shoes and performance.
515
I never wanted to work in fashion. At age 12 or 13, I wanted to design for showgirls - for the theater! And I was crazy for the Hollywood of the 1950s: Dietrich, Elizabeth Taylor, Jennifer Jones. They were my idea of glamour - and Sylvie Vartan, the French singer. Design
516
I didn't even know 'Vogue' existed when I was growing up.
517
You're abandoning a lot of ideas when you're too into comfort.
518
The core of my work is dedicated not to pleasing women, but to pleasing men.
519
I'll do shoes for the lady who lunches, but it would be, like, a really nasty lunch, talking about men.
520
I think every market has lot of things in common, and at the same time, every market has lot of different things.
521
If there is something I like, I buy it and then find somewhere for it. I buy first then I think.
522
If the height of the heel is the same as the length of your foot, it starts to look wrong. And if the heel is positioned badly on the sole, you get into ballerina territory, where the body is pushed into a very strange posture. You can exaggerate the arch only so much.
523
To me, the word 'decadent' is so difficult to use; it's a very sensitive word, in a way.
524
People tend to fear the ghosts in their own family. You feel these family curses and think, 'If it happened to my father, it could happen to me.'
525
No woman wants to have fat ankles.
526
Women like my shoes because they look good on them, not because they look good on the rack.
601
I'm not in the type of work where you should rest.
602
Bhutan is a very serene country with an incredible history. It has an incredible group of great artisans.
603
If you're passionate about the world, and if you really look closely at everything around you, each thing can be transformed into a shoe, or into a part of a shoe.
604
I love flip-flops. It's the one style of shoe I would be so proud of inventing: the Havaiana.
605
Everyone wears what they feel great in or comfortable with.
606
I don't like conflicts. I'm not a competitive person at heart. To be in the middle of turmoil is boring.
607
I guess, being French, I love Hollywood.
608
People say I am the king of painful shoes.
609
Necessity creates everything in my life.
610
You know, I'm behind my company. My company has been a big part of my life. And it's not that I been buying a company or that my father bought a company and tried to do something out of it. You know, it's not the same thing. It's my name, it's my company, it's my signature.
611
I think I have a part of myself which is a woman. When girls are together, they speak completely differently than when there is a guy around. But, with me, they don't see this masculine thing stopping them, and there is not this boundary.
612
I really wish I had invented the flip-flop. I love flip-flops. It's the one style of shoe I would be so proud of inventing: the Havaiana.
613
I don't repeat that many styles if I can help, although some have become classics. I try not to repeat. I'd rather surprise people.
614
A good host is someone who really takes care of everyone, from the food to their daily programme. I can't.
615
Everyone has their dates. For me, it's 1991. I can place every memory of my life either before or after this date. It's the year I became an adult. My mother died, and I created my company shortly thereafter. I definitely would not have done it if she hadn't passed away.
616
There's nothing I liked visually of the period I was a child. There was no dream in it, and nothing sparkled.
617
I never was interested in being part of the fashion world - I just wanted to design shoes. I didn't even know 'Vogue' existed when I was growing up. 'Vogue,' what is that?' Design
618
When I'm doing a store in a country, I always like to consider the concept of the country and the city. Ask what are the clothes of the city, what does this city represent for me?
619
Something I really hate more than anything else is clogs.
620
I am more feminist than feminists.
621
My mother's cross was given to me when she died. I like to have it always close to me.
622
I'd already decided I wanted to design shoes after I saw a sign in the Museum of African and Oceanic Art forbidding high heels. Well, who could resist? Design
623
I never liked my last name or my first name, but it's not as bad as Frigidaire, so it's fine.
624
I guess being French, I love Hollywood. I love Hollywood movies. Joseph Mankiewicz's 'All About Eve.' 'Mildred Pierce.'
625
I don't follow anything online. I am rather slow on that side.
626
I buy Dries van Noten shoes. I love his clothes, too.
701
There are a million things I'd rather do before designing clothes: directing, landscaping.
702
When I'm doing a store in a country, I always like to consider the concept of the country and the city.
703
I could not live with someone 24/7. I just never did, and I could never do.
704
Sometimes women feel uncomfortable when men stare at them when they try on shoes.
705
I love David Lynch's 'Mulholland Drive;' such a wonderful movie.
706
Everyone has their dates. For me, it's 1991. I can place every memory of my life either before or after this date. It's the year I became an adult. My mother died, and I created my company shortly thereafter.
707
Funnily enough, the most difficult style to do is the plain pump because it needs to look good on a variety of feet.
708
I don't give away my shoes to celebrities for free. I'm only happy when people like what I do and make the effort to buy them. I would not be happy to see people in my shoes if I knew that they had to be paid to do it, that they had to be pushed.
709

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