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Virginia Woolf [1882-1941] British

Rank: 4
Author, Writer

Adeline Virginia Woolf, known professionally as Virginia Woolf, was an English writer and one of the foremost modernists of the twentieth century.

Age, Alone, Beauty, Dreams, Poetry, Truth, War, Amazing, Best, Courage, Death, Education, Experience, Food, Freedom, Friendship, Happiness, Humor, Independence, Intelligence, Love, Peace, Relationship, Romantic, Space, Time, Work

Quote	Tags	Rank
One cannot think well, love well, sleep well, if one has not dined well.	Food, Love	101
My own brain is to me the most unaccountable of machinery - always buzzing, humming, soaring roaring diving, and then buried in mud. And why? What's this passion for?		102
Humor is the first of the gifts to perish in a foreign tongue.	Humor	103
The beauty of the world, which is so soon to perish, has two edges, one of laughter, one of anguish, cutting the heart asunder.	Beauty	104
If you do not tell the truth about yourself you cannot tell it about other people.	Truth	105
As a woman I have no country. As a woman my country is the whole world.		106
Arrange whatever pieces come your way.		107
Once conform, once do what other people do because they do it, and a lethargy steals over all the finer nerves and faculties of the soul. She becomes all outer show and inward emptiness; dull, callous, and indifferent.		108
Life is not a series of gig lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end.		109
The eyes of others our prisons; their thoughts our cages.		110
We can best help you to prevent war not by repeating your words and following your methods but by finding new words and creating new methods.	Best, War	111
If we help an educated man's daughter to go to Cambridge are we not forcing her to think not about education but about war? - not how she can learn, but how she can fight in order that she might win the same advantages as her brothers?	Education, War	112
Every secret of a writer's soul, every experience of his life, every quality of his mind is written large in his works.	Experience	113
If you insist upon fighting to protect me, or 'our' country, let it be understood soberly and rationally between us that you are fighting to gratify a sex instinct which I cannot share; to procure benefits where I have not shared and probably will not share.		114
Where the Mind is biggest, the Heart, the Senses, Magnanimity, Charity, Tolerance, Kindliness, and the rest of them scarcely have room to breathe.		115
I want the concentration and the romance, and the worlds all glued together, fused, glowing: have no time to waste any more on prose.	Time	116
It is far harder to kill a phantom than a reality.		117
You cannot find peace by avoiding life.	Peace	118
It is far more difficult to murder a phantom than a reality.		119
The telephone, which interrupts the most serious conversations and cuts short the most weighty observations, has a romance of its own.	Romantic	120
It seems as if an age of genius must be succeeded by an age of endeavour; riot and extravagance by cleanliness and hard work.	Age, Work	121
One has to secrete a jelly in which to slip quotations down people's throats - and one always secretes too much jelly.		122
The beautiful seems right by force of beauty, and the feeble wrong because of weakness.	Beauty	123
I read the book of Job last night, I don't think God comes out well in it.		124
Each has his past shut in him like the leaves of a book known to him by his heart, and his friends can only read the title.		125
Fiction is like a spider's web, attached ever so slightly perhaps, but still attached to life at all four corners. Often the attachment is scarcely perceptible.		126
These are the soul's changes. I don't believe in ageing. I believe in forever altering one's aspect to the sun. Hence my optimism.		201
Indeed, I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.		202
One of the signs of passing youth is the birth of a sense of fellowship with other human beings as we take our place among them.		203
One likes people much better when they're battered down by a prodigious siege of misfortune than when they triumph.		204
Yet it is in our idleness, in our dreams, that the submerged truth sometimes comes to the top.	Dreams, Truth	205
There is much to support the view that it is clothes that wear us, and not we, them; we may make them take the mould of arm or breast, but they mould our hearts, our brains, our tongues to their liking.		206
Some people go to priests; others to poetry; I to my friends.	Friendship, Poetry	207
Rigid, the skeleton of habit alone upholds the human frame.	Alone	208
A good essay must have this permanent quality about it; it must draw its curtain round us, but it must be a curtain that shuts us in not out.		209
Boredom is the legitimate kingdom of the philanthropic.		210
To enjoy freedom we have to control ourselves.	Freedom	211
It is curious how instinctively one protects the image of oneself from idolatry or any other handling that could make it ridiculous, or too unlike the original to be believed any longer.		212
It's not catastrophes, murders, deaths, diseases, that age and kill us; it's the way people look and laugh, and run up the steps of omnibuses.	Age	213
Language is wine upon the lips.		214
Nothing has really happened until it has been recorded.		215
Someone has to die in order that the rest of us should value life more.	Death	216
Yet, it is true, poetry is delicious; the best prose is that which is most full of poetry.	Poetry	217
The man who is aware of himself is henceforward independent; and he is never bored, and life is only too short, and he is steeped through and through with a profound yet temperate happiness.	Happiness, Independence	218
It is fatal to be a man or woman pure and simple: one must be a woman manly, or a man womanly.		219
I thought how unpleasant it is to be locked out; and I thought how it is worse, perhaps, to be locked in.		220
Really I don't like human nature unless all candied over with art.		221
There can be no two opinions as to what a highbrow is. He is the man or woman of thoroughbred intelligence who rides his mind at a gallop across country in pursuit of an idea.	Intelligence	222
On the outskirts of every agony sits some observant fellow who points.		223
I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.		224
Great bodies of people are never responsible for what they do.		225
Women have served all these centuries as looking glasses possessing the power of reflecting the figure of man at twice its natural size.		226
The older one grows, the more one likes indecency.		301
When the shriveled skin of the ordinary is stuffed out with meaning, it satisfies the senses amazingly.	Amazing	302
For what Harley Street specialist has time to understand the body, let alone the mind or both in combination, when he is a slave to thirteen thousand a year?	Alone	303
Why are women... so much more interesting to men than men are to women?		304
The truth is, I often like women. I like their unconventionality. I like their completeness. I like their anonymity.		305
The poet gives us his essence, but prose takes the mold of the body and mind.		306
Sleep, that deplorable curtailment of the joy of life.		307
Who shall measure the hat and violence of the poet's heart when caught and tangled in a woman's body?		308
For most of history, Anonymous was a woman.		309
It is in our idleness, in our dreams, that the submerged truth sometimes comes to the top.	Dreams	310
Let a man get up and say, Behold, this is the truth, and instantly I perceive a sandy cat filching a piece of fish in the background. Look, you have forgotten the cat, I say.		311
Somewhere, everywhere, now hidden, now apparent in what ever is written down, is the form of a human being. If we seek to know him, are we idly occupied?		312
The history of men's opposition to women's emancipation is more interesting perhaps than the story of that emancipation itself.		313
This soul, or life within us, by no means agrees with the life outside us. If one has the courage to ask her what she thinks, she is always saying the very opposite to what other people say.	Courage	314
Mental fight means thinking against the current, not with it. It is our business to puncture gas bags and discover the seeds of truth.		315
A woman must have money and a room of her own if she is to write fiction.		316
This is not writing at all. Indeed, I could say that Shakespeare surpasses literature altogether, if I knew what I meant.		317
If one could be friendly with women, what a pleasure - the relationship so secret and private compared with relations with men. Why not write about it truthfully?	Relationship	318
Odd how the creative power at once brings the whole universe to order.		319
Thought and theory must precede all salutary action; yet action is nobler in itself than either thought or theory.		320
Literature is strewn with the wreckage of men who have minded beyond reason the opinions of others.		321
I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.		322
Masterpieces are not single and solitary births; they are the outcome of many years of thinking in common, of thinking by the body of the people, so that the experience of the mass is behind the single voice.		323
You send a boy to school in order to make friends - the right sort.		324
That great Cathedral space which was childhood.	Space	325
It is the nature of the artist to mind excessively what is said about him. Literature is strewn with the wreckage of men who have minded beyond reason the opinions of others.		326
A masterpiece is something said once and for all, stated, finished, so that it's there complete in the mind, if only at the back.		401
To depend upon a profession is a less odious form of slavery than to depend upon a father.		402
The connection between dress and war is not far to seek; your finest clothes are those you wear as soldiers.		403
I was in a queer mood, thinking myself very old: but now I am a woman again - as I always am when I write.		404
We are nauseated by the sight of trivial personalities decomposing in the eternity of print.		405
This is an important book, the critic assumes, because it deals with war. This is an insignificant book because it deals with the feelings of women in a drawing-room.		406
Nothing induces me to read a novel except when I have to make money by writing about it. I detest them.		407
Almost any biographer, if he respects facts, can give us much more than another fact to add to our collection. He can give us the creative fact; the fertile fact; the fact that suggests and engenders.		408

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