Giovanni Pierluigi da Palestrina ITA [ca. 1525-1594] Group: Roman School Short description: Sacred vocal music. Smooth melodically and rhythmically, treats all voice parts equally (mostly imitative counterpoint with harmony based on thirds, with careful control of dissonances as passing tines/neighbor notes, suspensions; cadences are overlapping and focused on full triads)
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Palestrina - smooth melodically and rhythmically, treats all voice parts equally (mostly imitative counterpoint with harmony based on thirds, with careful control of dissonances as passing tines/neighbor notes, suspensions; cadences are overlapping and focused on full triads).
Machaut - not that smooth melodically and rhythmically, independent voices, melodic interest in upper voices, little use of thirds, cadences are clear cut/no overlap; cadences focus on perfect consonances. (Machaut, Palestrina)