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Wole Soyinka [1934-0] Nigerian

Rank: 101
Dramatist, Playwright

Akinwande Oluwole "Wole" Babatunde Soyinka is a Nigerian playwright and poet. He was awarded the 1986 Nobel Prize in Literature, the first African to be honored in that category.
Soyinka was born into a Yoruba family in Abeokuta.

Space, Truth, Communication, Work, Amazing, Best, Family, Freedom, Friendship, Future, History, Home, Hope, Humor, Learning, Morning, Peace, Poetry, Power, Religion, Time, War

Quote	Tags	Rank
Given the scale of trauma caused by the genocide, Rwanda has indicated that however thin the hope of a community can be, a hero always emerges. Although no one can dare claim that it is now a perfect state, and that no more work is needed, Rwanda has risen from the ashes as a model or truth and reconciliation.	Hope, Truth, Work	101
One has a responsibility to clean up one's space and make it livable as far as one's own resources go. That includes not only material resources, but psychological resources: the commitment of time and a portion of your mind to something when you'd rather be doing something else.	Space, Time	102
And I believe that the best learning process of any kind of craft is just to look at the work of others.	Best, Learning, Work	103
But the ultimate lesson is just sit down and write. That's all.		104
The greatest threat to freedom is the absence of criticism.	Freedom	105
Human life has meaning only to that degree and as long as it is lived in the service of humanity.		106
One's own self-worth is tied to the worth of the community to which one belongs, which is intimately connected to humanity in general. What happens in Darfur becomes an assault on my own community, and on me as an individual. That's what the human family is all about.	Family	107
A tiger does not shout its tigritude, it acts.		108
I like my peace and quiet whenever I can grab it.	Peace	109
We live in a materialist world, and materialism appeals so strongly to humanity, no matter where.		110
I am a glutton for tranquility.		111
I found, when I left, that there were others who felt the same way. We'd meet, they'd come and seek me out, we'd talk about the future. And I found that their depression and pessimism was every bit as acute as mine.	Future	112
Power is domination, control, and therefore a very selective form of truth which is a lie.	Power, Truth	113
The hand that dips into the bottom of the pot will eat the biggest snail.		114
Books and all forms of writing are terror to those who wish to suppress the truth.	Truth	115
There is only one home to the life of a river-mussel; there is only one home to the life of a tortoise; there is only one shell to the soul of man: there is only one world to the spirit of our race. If that world leaves its course and smashes on boulders of the great void, whose world will give us shelter?	Home	116
Colonialism bred an innate arrogance, but when you undertake that sort of imperial adventure, that arrogance gives way to a feeling of accommodativeness. You take pride in your openness.		117
Each time I think I've created time for myself, along comes a throwback to disrupt my private space.	Space	118
Seven is the magic figure, because that's a symbolic figure of my favorite deity, Ogun.		119
My horizon on humanity is enlarged by reading the writers of poems, seeing a painting, listening to some music, some opera, which has nothing at all to do with a volatile human condition or struggle or whatever. It enriches me as a human being.		120
A war, with its attendant human suffering, must, when that evil is unavoidable, be made to fragment more than buildings: It must shatter the foundations of thought and re-create. Only in this way does every individual share in the cataclysm and understand the purpose of sacrifice.	War	121
I am convinced that Nigeria would have been a more highly developed country without the oil. I wished we'd never smelled the fumes of petroleum.		122
All religions accept that there is something called 'criminality.' And criminality cannot be excused by religious fervour.		123
Probably to me the greatest singer, female voice, is Billie Holiday. And one of the most moving for me, I don't know why - maybe it's nostalgia, maybe because my life is one of constant partying, whatever.		124
See, even despite pious statements to the contrary, much of the industrialized world has not yet come to terms with the recognition of the fallacy of what I call the strong man syndrome.		125
The writer is the visionary of his people... He anticipates, he warns.		126
History teaches us to beware of the excitation of the liberated and the injustices that often accompany their righteous thirst for justice.	History	201
Well, first of all I'll say that I come alive best in theater.		202
I ceased using words like optimism and pessimism a long time ago.		203
For me, justice is the prime condition of humanity.		204
If African film makers had one-tenth the amount commanded by film makers the world over - even the amount used by so-called shoestring film makers - I think we would see quite an explosion of African films on the world scene.		205
Rwanda, which is one of the younger independent states in Africa, must be regarded as a model of how great human trauma can be transformed to commence true reconstruction of people. Human trauma can lead to stunted growth and mass withdrawal.		206
The scales of reckoning with mortality are never evenly weighted, alas, and thus it is on the shoulders of the living that the burden of justice must continue to rest.		207
The Nation of Islam provides an antidote in the United States to fundamentalist Islam - which is why individuals from America have to go abroad to find radical teachings.		208
Under a dictatorship, a nation ceases to exist. All that remains is a fiefdom, a planet of slaves regimented by aliens from outer space.	Space	209
I don't know any other way to live but to wake up every day armed with my convictions, not yielding them to the threat of danger and to the power and force of people who might despise me.		210
I'm not sure I'm trying to communicate a message. I'm just trying to be part of the movement away from the unacceptable present.		211
The Lagos of my childhood was a well-laid-out maritime city.		212
There is something really horrific for any human being who feels he is being consumed by other people. I'm talking about a writer's critics, who don't address what you've written, but want to probe into your existence and magnify the trivia of your life without any sense of humor, without any sense of context.	Humor	213
Education is lacking in most of those who pontificate.		214
I take friendship very seriously.	Friendship	215
You cannot live a normal existence if you haven't taken care of a problem that affects your life and affects the lives of others, values that you hold which in fact define your very existence.		216
Nigeria has had the misfortune - no, the fortune - of seeing the worst face of capitalism anywhere in Africa. The masses have seen it, they are disgusted, and they want an alternative.		217
Trading and religion have always been aligned together in the history of the world, and especially on the African continent.	Religion	218
I'm not fond of biographies. I don't like writing about myself.		219
The phenomenon of creativity, we know, is closely related to the ability to yoke together separate, and even seemingly incompatible, matrices.		220
And gradually they're beginning to recognize the fact that there's nothing more secure than a democratic, accountable, and participatory form of government. But it's sunk in only theoretically, it has not yet sunk in completely in practical terms.		221
But theater, because of its nature, both text, images, multimedia effects, has a wider base of communication with an audience. That's why I call it the most social of the various art forms.	Communication	222
But when you're deprived of it for a lengthy period then you value human companionship. But you have to survive and so you devise all kinds of mental exercises and it's amazing.	Amazing	223
Even when I'm writing plays I enjoy having company and mentally I think of that company as the company I'm writing for.		224
I consider the process of gestation just as important as when you're actually sitting down putting words to the paper.		225
I don't really consider myself a novelist, it just came out purely by accident.		226
I grew up in an atmosphere where words were an integral part of culture.	Communication	301
I'm not one of those writers I learned about who get up in the morning, put a piece of paper in their typewriter machine and start writing. That I've never understood.	Morning	302
One, a mass movement from within, which, as you know, is constantly being put down brutally but which, again, regroups and moves forward as is happening right now as we are speaking.		303
There are different kinds of artists and very often, I'll be very frank with you, I wish I were a different kind.		304
Well, the first thing is that truth and power for me form an antithesis, an antagonism, which will hardly ever be resolved. I can define in fact, can simplify the history of human society, the evolution of human society, as a contest between power and freedom.		305
Looking at faces of people, one gets the feeling there's a lot of work to be done.		306
The man dies in all who keep silent in the face of tyranny.		307
Being the first black Nobel laureate, and the first African, the African world considered me personal property. I lost the remaining shreds of my anonymity, even to walk a few yards in London, Paris or Frankfurt without being stopped.		308
I cannot belong to a nation which permits such barbarities as stoning to death and amputation - I don't care what religion it is.		309
I began writing early - very, very early... I was already writing short stories for the radio and selling poems to poetry and art festivals; I was involved in school plays; I wrote essays, so there was no definite moment when I said, 'Now I'm a writer.' I've always been a writer.	Poetry	310
When I write plays, I'm already seeing the shapes on stage, of the actors and their interaction, and so on and so forth. I don't think I've ever written one play as an abstract piece, as a literary piece, floating in the air somewhere, to be flushed out later on.		311
Some people think the Nobel Prize makes you bullet-proof. I never had that illusion.		312
Books and all forms of writing have always been objects of terror to those who seek to suppress the truth.		313
No human is completely fearless.		314
Just like birds, hunters know no borders.		315
Art is solace; art is vision, and when I pick up a literary work, I am a consumer of literature for its own sake.		316
After the death of the sadistic dictator Gen. Sanni Abacha in 1998, Nigeria underwent a one-year transitional military administration headed by Gen. Abdulsalami Abubakar, who uncharacteristically bowed out precisely on the promised date for military disengagement. Did the military truly disengage, however? No.		317
I love beauty. But I like the beauty accidentally, not dished up, served up on a platter.		318
Military dictatorship, you can focus on it, you can fight it directly. It's a band of power-driven people.		319
The Sudanese government has been playing games with the world, with the Africa Union, in particular, have been playing for time in order to conclude its mission of ethnic cleansing in the Sudan.		320
I have a kind of magnetic attraction to situations of violence.		321
I think that feeling that if one believed absolutely in any cause, then one must have the confidence, the self-certainty, to go through with that particular course of action.		322
The novel, for me, was an accident. I really don't consider myself a novelist.		323
There's a kind of dynamic quality about theater and that dynamic quality expresses itself in relation to, first of all, the environment in which it's being staged; then the audience, the nature of the audience, the quality of the audience.		324
There's something about the theater which makes my fingertips tingle.		325
In Africa, those who have money - businessmen and banks - do not believe in film.		326
England is the breeding ground of fundamentalist Muslims. Its social logic is to allow all religions to preach openly. But this is illogic, because none of the other religions preach apocalyptic violence. And yet England allows it.		401
We Nigerians must reclaim our sovereignty, our civic entitlements.		402
I like to say, 'I spend one-third of my time in Nigeria, one-third in Europe or America, and one-third on a plane.'		403
Before you're a writer, you're a citizen, a human being, and therefore the weapons of the citizen are at your disposal to use or not use.		404
One has to confront history honestly.		405
An idyllic period of my existence was when I had a den attached to my home... a writing den, and no one had access to that unless they had their own special visa, applied for weeks in advance.		406
I don't have the sort of temperament that submits to Christianity or Islam.		407
In the world of literature, I see prizes as more of a duty to the craft itself, rather than as something for the individual.		408
I've done a lot of guerrilla theater in my time.		409
You go to conferences, and your fellow African intellectuals - and even heads of state - they all say: 'Nigeria is a big disappointment. It is the shame of the African continent.'		410
There's no way to escape the culture that has evolved, from which we ourselves have evolved. Naturally, we stress it, break it up, reassemble it to suit our own needs. But it is there - a source of vital strength.		411
Some African leaders actually dare to suggest that democracy is a concept alien to traditional African society. This is one of the most impudent political blasphemies I can think of.		412
Writers and intellectuals have a duty to humanity. It is to insist that the human entity remains the primary asset in overall development; thus, it must be safeguarded.		413
My father was a schoolteacher, and so I had the advantage of both western educational instruction in the school, as well as what you might call the process of imbibing the traditional processes of education instruction around me.		414
The problem with literature, with writing, is that it works sometimes in terms of correction of social ills. Other times, it just does not suffice.		415
My understanding of the creative process is simply that all cultures and all concerns meet at a certain point, the human point in which everything is related to one another. That has been my creative experience. I never know who's influencing me at any time.		416
I'm an Afro-realist. I take what comes, and I do my best to affect what is unacceptable in society.		417
There is not a special imposition on writers to be activists. All that does is encourage writers to write propaganda. Propaganda can be written by anybody, including dictators.		418
I've always written plays for the purpose of getting something out of my system.		419
Those nations that say it's a crime to preach your religion are making a terrible mistake. All they're doing is driving underground other forms of spiritual intuitions and practices.		420
One thing I can tell you is this, that I am not a methodical writer.		421
Very conscious of the fact that an effort was being made to destroy my mind, because I was deprived of books, deprived of any means of writing, deprived of human companionship. You never know how much you need it until you're deprived of it.		422
African film makers are scraping by on a mere pittance.		423
The blatant aggressiveness of theocracies I find distressing, because I grew up when Christians, Muslim and animists lived peacefully together.		424
An excessive amount of my time is taken with political involvement. It's unavoidable; that's my temperament.		425
You always assume for some strange reason that you need three meals a day.		426
Some of the greatest uprisings and consequent civil wars in Mexico have centered squarely on the ownership of land.		501
No writer has a right to make that much money. Indeed, without diabolical assistance, no writer can.		502
Politics, I believe, is a full-time occupation.		503
Writing in certain environments carries with it an occupational risk.		504

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