Guess quote

Walter Kirn [1962-0] American

Rank: 101
Novelist

Walter Kirn is an American novelist, literary critic, and essayist. He is the author of eight books, most notably Up in the Air, which was made into a movie starring George Clooney.

Alone, Attitude, Birthday, Business, Dreams, Intelligence, Legal, Romantic, Success, War

Quote	Tags	Rank
We want to believe that we're invulnerable, and that people who get tricked deserve it. Well, they don't. And someday the arrogant types who mock the gullible are likely to get their turn to wear the dunce cap.		101
I'm a magpie in my fiction, taking whatever looks shiny and curious to line the nest of my story.		102
A sociopath doesn't warm up their environment, doesn't make it cozy. They don't have to; when they're not performing, when they're not manipulating, when they're all alone, there's nothing.	Alone	103
In fourth grade, I learned that reading was serious business, not just a pleasant way to pass the time, and that like medicine or engineering, it had a definite, valuable purpose: to foster 'comprehension.'	Business	104
The strange anthropological lesson of social media is that human beings, if given a choice, often prefer to socialize alone.	Alone	105
E-mails, phone calls, Web sites, videos. They're still all letters, basically, and they've come to outnumber old-fashioned conversations. They are the conversation now.		106
I remember the first time I went to Italy when I was eighteen, I was in Florence and there were all these eighteen, nineteen, twenty-year-olds gliding past on Vespas with crinkly, long, hair, and I thought I was on the set of a movie. I couldn't believe that this was going on and I hadn't known about it before. I was flabbergasted.		107
The reason con artists get away with what they get away with is, their victims are ashamed of their own blindness and their own gullibility, and they tend to just quietly go away.		108
Here's how adaptation works - almost everything in the movie is in the book in some form. But it's as though the deck has been completely reshuffled and some of the cards have been assigned different values, some of the fours have been made into jacks, and some of the jacks have been made into twos.		109
The success that Americans are said to worship is success of a specific sort: accomplished not through hard work, primarily, but through the ingenious angle, the big break. Sit down at a lunch counter, stand back up a star. Invest in a new issue and watch it soar. Split a single atom, win a war.	Success, War	110
Uncertainty doesn't make life worth living, quite, but it does make striving and gambling worth attempting.		111
It's no accident that most self-help groups use 'anonymous' in their names; to Americans, the first step toward redemption is a ritual wiping out of the self, followed by the construction of a new one.		112
My mother used to push 'Wuthering Heights' on me as a boy, and I sensed from her breathy description of the story that it would make me laugh. I have no plans to find out if this is true.		113
I've come to learn that the determined and gifted and genuine sociopath has far more power to deceive than we realize.		114
In a world that's smarter than it used to be and, in some ways, smarter than it ought to be, stupidity has a way of making us seem all the more human.		115
I think people get a sense of possibility when they're on a plane, even romantic possibility, wondering if the perfect person is going to sit down next to them or something.	Romantic	116
I have very specific advice for aspiring writers: go to New York. And if you can't go to New York, go to the place that represents New York to you, where the standards for writing are high, there are other people who share your dreams, and where you can talk, talk, talk about your interests.	Dreams	117
I love reference books, especially collections of memorable quotations, world almanacs, and atlases. Facts to me are like candy or popcorn, small, tasty delights, and I like to gorge on them now and then.		118
A true nature is a gloomy monolith, sort of like that old black rotary phone that I had to sing 'Happy Birthday' to Grandpa on. But novelists, damn us, still need true natures - so we can give them to our protagonists. And so readers can vaguely predict how they'll behave when we trap them in 'situations' that they can't IM their way out of.	Birthday	119
I review books as a day job, and through the years I've come to view the contemporary memoir as, almost always, a saga of victimization, sometimes by others, sometimes by the self, and sometimes by illness or misfortune, leading, like clockwork, to healing and redemption.		120
If the future, as imagined in literature, is really the present taken to extremes, then the past is also the present, but boiled down.		121
To young people born under the weird planet of the SAT, intelligence was equated with agility, with raw acuity. It produced a certain sort of person of which I was a typical specimen: the mental contortionist, able to rise to almost every challenge placed before him, except the challenge of real self-knowledge.	Intelligence	122
The room-service Caesar salads with soggy croutons, the distant relatives who show up at readings pitching weird, far-fetched investment schemes, the fans who have you sign a book to 'Cathy' and then tell you, 'No, it's Kathy with a K' - it gets challenging after a while. It tests your stamina.		123
I say 'here's the thing' a lot, both to alert people that I'm about to say something important and to give myself a moment to figure out what that important thing might be, because my head is so often completely empty.		124
We're on Twitter with one side of our personality, and Facebook with another, and LinkedIn with another side of our personality, and we're toggling between them. That's just a version of what an impostor does: shifting from one side of their personality to another with lightning speed.		125
The Bible has been through millions of rounds of exegesis and interpretation, but it hasn't been until quite recently that it's been taken as the absolute truth, to the point where people expect it to inform ideas about biology and life on this planet.		126
Cross the wrong state border with your gun, or wake up one morning to new legislation or a new presidential executive order, and suddenly you're the bad guy, not the good guy. No wonder some gun owners seem so touchy; they feel, at some level, like criminals in waiting.		201
However old-fashioned and right-wing this may sound, the American genius for language lies in understatement, in saying things simply, pointedly and quickly, and in making new and clean and swift what otherwise might be ponderous, round and slow.		202
Novelists who pretend to understand what keeps them scribbling are really just guessing. A profound, unmet childish need to be acknowledged? Maybe. It hardly matters, though. The termite that asks itself why it keeps chewing risks becoming sluggish and inefficient, as does the writer who grows self-conscious in the middle of chapter five.		203
In the age of networked everything, life moves sideways and covers lots of ground while barely touching the earth.		204
Literary dementia seems dated now, but there was a time when a month in the funny farm was as de rigueur for budding writers as an M.F.A. is now. To be sent away was a badge of honor; to undergo electroshock, a glorious martyrdom.		205
The fictionally correct have all the answers, and that's what's wrong with them. They're artistic technocrats. There's no dilemma so knotty, no question so baffling, that it can't be smoothly neutralized by dialing up the right attitude adjustment. Poor old Hemingway. If only he'd known.	Attitude	206
Yes, in the commercial world there's room for both McDonald's and Whole Foods, but in the realm of politics, we're told, it's either Filet-o-Fish or line-caught salmon: only one can prevail - and which is up to you.		207
There are two sides to me. One is the writer. That's a savage person who looks at everything as a story and, you know, wants to use real life in his books. The other part is the Midwesterner, who, you know, wants to say nice things about people and be polite.		208
I like to think that I could praise the good book of someone I personally dislike. I try not to comment on the person, to be insulting, but I have no trouble being insulting to the work.		209
I've noticed that the few times I've traveled first class myself, you've already got your drink, and your coat has been taken by the time the rest of the passengers file on, and it's hard not to feel sorry for them. They're sort of trooping past you like cows to slaughter and you're sitting there in your, you know, wide-body seat.		210
Realize that the game of life is the game of, to some extent, being taken advantage of by people who make a science of it. Whether they are in government or personal life or in business, they're everywhere.		211
Every generation looks at literature through the lens of their own experience, but with the Bible, everyone gets apprehensive and thinks it'll be too stuffy.		212
A writer is someone who tells you one thing so someday he can tell his readers another thing: what he was thinking but declined to say, or what he would have thought had he been wiser. A writer turns his life into material, and if you're in his life, he uses yours, too.		213
The least sexy city is Los Angeles. And it poses as the most sexy. As you grow up, L.A. is being sold to you as home of the bikini-clad party girls. And then you get there, and it's full of very goal-oriented, yoga-obsessed careerists.		214
I had the impression from reading English literature that British women were great beauties, and I only had seen Julie Christie, and she was gorgeous and sexy. I don't know whether it was just my taste, but when I got to London, I went two years without seeing a truly attractive woman. A lot of near misses.		215
I'd assumed that a deal was a deal when Princeton admitted me, but I was wrong. The price of getting in - to the university itself, and to the great world it promised to open up - was an endless dunning for nebulous services that weren't included in the initial quote.		216
A president, like a college freshman, can't know in advance which questions he'll have to answer or what topics he'll have to master. He has to be flexible, supple, and responsive. He has to be comfortable with multiple-choice.		217
Size has nothing to do with literature. All legs are long enough to touch the ground, and all books are big enough to fill their covers.		218
There are two different forms of storytelling: Novels tend to come from the inside of a character, and movies tend to look at them from the outside in relation to others in their world.		219
You have plausible deniability, as they say in politics, as an author with movies. Because if the movie is terrible, you simply say they failed to catch the genius of the book.		220
Good short-story collections, like good record albums, are almost always hit-and-miss affairs - successful if they include three or four great tracks, wildly successful if they have five. And that's as it should be.		221
A loving mother-son relationship is always a plot or outwitting of some kind. 'Don't tell anyone, but...' my mother was always saying to me - when I wasn't saying it to her.		222
Remember daydreams? No, of course you don't. How could you? Three new text messages have just arrived, and another three, in a moment, will go out.		223
A writer who isn't writing is asking for trouble.		224
Ask Jeeves! Who ever used that thing? College freshmen to find out who Goethe was - that's it.		225
I've been around - having gone to Princeton, and I went to Oxford after that - some pretty fancy characters in my life. And they're just as nutty as the rest of us - sometimes worse.		226
I grew up in a little town in Minnesota, 500 people. I went out to Princeton, and I wasn't very well-accepted out there by the fancy folks of Princeton University, I felt. I came away bruised and feeling rejected.		301
At college, I wanted to be a poet. I liked the extremely concentrated language, the atmosphere of otherworldliness.		302
I studied English at Princeton in the early eighties in what I consider a period of high obscurity. Professors and students ran around discussing the work of critics and philosophers that I doubt they'd read or understood.		303
When we have a favorite writer, it's always the places where they grew up, lived, worked, and that they recreated on the page that we most want to visit and commune with. Faulkner's Mississippi, Raymond Chandler's Los Angeles, etc. The mind of the reader longs to be somewhere, not just anywhere, and certainly not nowhere.		304
Once you realize just the sort of glut of books that exists out there, it does become incumbent on you not to add to it unless you have a damn good reason.		305
I think of myself as writing realist American fiction. 'Cynical but hopeful' wouldn't be the worst thing I've ever been called.		306
What is it in people, or just in people like me, that would rather let a lie go by, would rather wish it away or minimize it, than point it out and cause the liar embarrassment?		307
When I was writing about the Republican primaries, it was as though the Bible was a black box that people reached into to pull out edicts and prejudices and rules and opinions, and I wish they had fact-checked it! Especially Rick Santorum.		308
God is a freaking character, with enough foibles, tantrums, and paradoxical behaviors to supply a thousand screenplays. But who do you cast?		309
Stopping to think is fine for characters, but not for their creators. They have to work.		310
My primary ambition is to be a fiction writer... Being a critic wasn't an aspiration of mine.		311
According to the perverse aesthetics of artistic guilty pleasure, certain books and movies are so bad - so crudely conceived, despicably motivated and atrociously executed - that they're actually rather good.		312
Since the founding of Facebook, Twitter, Instagram and other mainstays of what technology writers have come to call 'the social Web' or 'Web 2.0,' a sizable portion of humanity has learned to be together while apart, sacrificing intimacy for control and spontaneity for predictability.		313
On the Web, we can be whoever we wish to be, editing the face we show to others in ways that aren't possible in physical space. We can also fine-tune the complexity and depth of our interactions and relationships.		314
You're able to do things in novels: introduce subplots, other characters, thematic layers and so on, in a way that you simply can't in a movie. A movie really has to choose its battles.		315
Short stories are fiction's R & D department, and failed or less-than-conclusive experiments are not just to be expected but to be hoped for.		316
Let the novelists fret about consistency - story writers should feel free to jam; to get things right in new, surprising ways by allowing themselves, now and then, to get things wrong.		317
Nothing is less suspenseful than a threat that threatens the maker of the threat at least as much as the subject of the threat. Congress hasn't learned this yet, but America has learned it over and over.		318
The reason that last-ditch political maneuvering has become business as usual in Washington is that the actors involved are drunk on blame and are convinced that the voting public is, too. They count on outrage, thereby spreading numbness. They cherish the prospect of partisan fury, thereby inspiring nonpartisan disgust.		319
When I shoot at the range, I don't feel personally powerful but like the custodian of something powerful. I feel like a successful disciplinarian of something radically alien and potent. Analyze this sensation all you want; you still can't make it go away.		320
Statistics on the dangers guns pose to the health of their owners and those who live with them suggest that I'd be safer selling my guns than reserving them for 'Tombstone II.'		321
Guns can turn you into an insider even if you're an outsider by nature, recruiting you into a loose fraternity of people who feel embattled and defensive and are primally eager to win allies.		322
Horror and panic themselves are forms of violence, and diminishing them, restricting their dimensions, is itself a civilizing act.		323
People can be so neglectful of each other and of their own heritage - then death intrudes. Conversations we wish that we'd had earlier are had too late.		324
I read somewhere once that in the 1960s, fiction writers were troubled by the notion that life was becoming stranger and more sensational than made-up stories could ever hope to be. Our new problem - more profound, I think - is that life no longer resembles a story. Events intersect but don't progress. People interact but don't make contact.		325
Everyone his own cinematographer. His own stream-of-consciousness e-mail poet. His own nightclub DJ. His own political columnist. His own biographer of his top-10 friends!		326
No matter how you cut them, paste them, rotate them, or distort them, lip syncing and air-guitar playing are fundamentally foolish activities, and anyone seen to be engaging in them with anything approaching a straight face is, by definition, taking herself or himself much too seriously.		401
Writing about the future and the past is less a way of dramatizing change than of showing, by way of contrast, what abides.		402
Truth is stranger than nonfiction. And life is too interesting to be left to journalists. People have stories, but journalists have 'takes,' and it's their takes that usually win out when the stories are too complicated or, as happens, not complicated enough.		403
The future of time, of how it's won or lost, endured or enjoyed, expanded or compressed, will depend on how it's valued, not how it's measured.		404
One of the saddest things about publishing is how quickly it ages what it touches. The frenzy involved in getting books on shelves, and in putting the word out that they're there, moves at a speed that is not the speed of writing, let alone of reading.		405
Size matters in fiction, but so does lack of size. Everything else being equal, fat novels tend to be perceived as serious, very thin ones as more honest, more real. Writers address these age-old expectations by filling their big books with philosophy and cramming their little ones with feeling.		406
If writers, like comedians or singers, could only hear themselves bombing as they worked, it's likely that certain books would be cut short after the first few leaden sentences.		407
I'm a novelist, a critic, an essayist - I tend to see politics as a subset of cultures rather than the other way around. It's a human enterprise, a tool or a technology revealing our collective inner self.		408
It's been a concern of mine for years that the mainstream media coverage of culture and politics takes place in two nodes, Washington and New York, and yet all the voting goes on somewhere else.		409
Thanks to Twitter, iPads, BlackBerrys, voice-activated in-dash navigation systems, and a hundred other technologies that offer distraction anywhere, anytime, boredom has loosened its grip on us at last - that once-crushing 'weight' has become, for the most part, a memory.		410
The idea that Americans favor politicians who either remind them of themselves or can imagine what their selves are like because they too have struggled and sung the blues, is, like very best theories of human behavior, immune to falsification by mere evidence.		411
In America, to be ID'd - sorted, tagged, and permanently filed - is to lose a bit of one's soul. To die a little. This sounds like a subtle, poetic notion. It's not. In American legal and cultural tradition, one essential privilege of citizenship is not having to prove it on demand.	Legal	412

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