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Philip Johnson [1906-2005] American

Rank: 101
Architect

Philip Cortelyou Johnson was an influential American architect. He is especially known for his postmodern work from the 1980s and beyond, as well as his collaborations with John Burgee.

Architecture, Design, Space, Art, Age, Beauty, Death, Faith, Food, Money, Wisdom

Quote	Tags	Rank
Architecture is basically the design of interiors, the art of organizing interior space.	Architecture, Art, Design, Space	101
Architecture is the art of how to waste space.	Architecture, Art, Space	102
I hate vacations. If you can build buildings, why sit on the beach?		103
Don't build a glass house if you're worried about saving money on heating.	Money	104
All architecture is shelter, all great architecture is the design of space that contains, cuddles, exalts, or stimulates the persons in that space.	Architecture, Design, Space	105
To me, the drive for monumentality is as inbred as the desire for food and sex, regardless of how we denigrate it. Monuments differ in different periods. Each age has its own.	Age, Food	106
Concrete you can mold, you can press it into - after all, you haven't any straight lines in your body. Why should we have straight lines in our architecture? You'd be surprised when you go into a room that has no straight line - how marvelous it is that you can feel the walls talking back to you, as it were.	Architecture	107
I always think of buildings in their settings, but so do other architects.		108
If architects weren't arrogant, they wouldn't be architects. I don't know a modest good architect.		109
I'm about four skyscrapers behind.		110
The first complete sentence out of my mouth was probably that line about consistency being the hobgoblin of small minds.		111
I like the thought that what we are to do on this earth is embellish it for its greater beauty, so that oncoming generations can look back to the shapes we leave here and get the same thrill that I get in looking back at theirs - at the Parthenon, at Chartres Cathedral.	Beauty	112
I'm a chameleon, so changeable. I see myself as a gadfly and a questioner.		113
All architects want to live beyond their deaths.	Death	114
Maybe, just maybe, we shall at last come to care for the most important, most challenging, surely the most satisfying of all architectural creations: building cities for people to live in.		115
I like to be buttoned onto tradition. The thing is to improve it, twist it and mold it; to make something new of it; not to deny it. The riches of history can be plucked at any point.		116
Doing a house is so much harder than doing a skyscraper.		117
Faith? Haven't any. I'm not a nihilist or a relativist. I don't believe in anything but change. I'm a Heraclitean - you can't step in the same river twice.	Faith	118
Architecture is art, nothing else.	Architecture	119
The future of architecture is culture.	Architecture	120
You're going to change the world? Well, go ahead and try. You'll give it up at a certain point and change yourself instead.		121
I got everything from someone. Nobody can be original.		122
I haven't any wisdom - just a child like everybody else. I'm not as great as Frank Lloyd Wright.	Wisdom	123
Houston is undoubtedly my showcase city. I saved all my best buildings for Houston.		124
There's no such thing as old age. I'm no different now than I was 50 years ago. I'm just having more fun.		125
I call myself a traditionalist, although I have fought against tradition all my life.		126
It is wonderful to be in the country in a glass house, because no matter what happens out there, you're nice and safe, you know, cuddled in your little bed, and there it is, raging storms, snowing - wonderful.		201
I wouldn't build a building if it wasn't of interest to me as a potential work of art. Why should I?		202
I guess I can't be a great architect. Great architects have a recognizable style. But if every building I did were the same, it would be pretty boring.		203
I used to think that each phase of life was the end. But now that my view on life is more or less fixed, I believe that change is a great thing. In fact, it's the only real absolute in the world.		204
Processionalism is primary - how you get from one place to another, the relationships and effects of spaces as you move about in them. That's worked out awfully well in the State Theater. I'm a 'straight-in' man myself; I'm too nervous, I like to know where I am. I also like to know where I'm going.		205
Anybody can build a building, putting some doors into it, but how many times have you been in a building that moves you to tears the way Beethoven's 'Eighth' does?		206
How does an artist know when the line that he just painted is good or not good? That's the catch. De Kooning was the greatest of my contemporaries in art, and he knew when he'd done a good line. When he didn't, he threw it away. I wish I'd thrown away some of mine.		207
Purpose is not necessary to make a building beautiful.		208
There's only one reason for my whole life, and that's art. Nothing else counts; nothing else gives me pleasure; nothing else gives me satisfaction.		209
I get between nine and ten hours of sleep. Go to bed at 8:30 and get up at 6:00 or 6:30 if I oversleep.		210
Dullness is the enemy.		211
There's no worse feeling than seeing my buildings and realizing the mistakes.		212
You cannot not know history.		213
Glibness will get your anywhere.		214
I guess I want to make money just like other people, perhaps more than most people.		215
I wish someone would ask me to design a cathedral.	Design	216
In my own work, I'd say I'm a classicist, but I look everywhere for my solutions. I don't study the toilet-living habits of my clients, although that's a popular approach. First, I think of every building in history that has been similar in purpose. Then I think of the functional program - that's a major part of the study.		217
The people with money to build today are corporations - they are our popes and Medicis. The sense of pride is why they build.		218

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