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Jim Harrison [1937-0] American
Rank: 101
Writer, Author


James "Jim" Harrison was an American author known for his poetry, fiction, reviews, essays about the outdoors, and writings about food. He is best known for his 1979 novella Legends of the Fall. 

Attitude, Car, Diet, Great, Pet, Travel

QuoteTagsRank
Some people hear their own inner voices with great clearness. And they live by what they hear. Such people become crazy... or they become legend. Great
101
Short things are short all over and long things are long all over.
102
I write novellas because I don't like loose sprawling prose.
103
Naturally we would prefer seven epiphanies a day and an earth not so apparently devoid of angels.
104
We are all naturally xenophobic.
105
I don't know what psychotherapy does. I have been seeing the same person for 26 years now.
106
Everybody has a gun in their car in Detroit. Car
107
After a lifetime of world travel I've been fascinated that those in the third world don't have the same perception of reality that we do. Travel
108
I couldn't run a tight schedule, and if you're any good at teaching, you get sucked dry because you like your students and you're trying to help them, but you don't have any time left to write yourself.
109
The old fun thing is when somebody typed up the first chapter of War and Peace. And then made a precis of the rest of it and sent it out and only one publisher recognized it.
110
Because most writers have totally unrealistic concepts of how publishing works.
111
Your kids inevitably want to move where they had their vacations when they were younger.
112
Success and money can really be quite blinding.
113
The only advice I can give to aspiring writers is don't do it unless you're willing to give your whole life to it. Red wine and garlic also helps.
114
I'm actually forced to write about Michigan because as a native of that state it's the place I know best.
115
Michigan is two radically different places - the North and the South which makes for good drama and contrast.
116
New Yorkers are mostly interested in New York - in case you haven't noticed.
117
Yeah, but now suddenly - you know, universities are notoriously market oriented, too.
118
The trajectory started when I was on the roof of our house looking out at a swamp when I was 19. I had written for several years, starting at about 15, but that day on the roof I took my vows and acknowledged my calling.
119
I should add that I very much enjoy certain cities especially Paris, New York and Chicago.
120
I've never felt influenced by Ernest Hemingway though I suppose there is something inevitable there.
121
I rarely read or buy a book because of a review.
122
There is a neurologist, a woman over at Harvard who wanted me to come talk to them, and in France I have a lot of readers in the sciences. I can't tell you why.
123
I don't see gender as the most significant fact of human existence.
124
The fact is, the media never gets off the interstate unless there's a major explosion.
125
I see more genuine sociability between the races in Mississippi than I see in Michigan. No question.
126
I asked a French critic a couple of years ago why my books did so well in France. He said it was because in my novels people both act and think. I got a kick out of that.
201
Writers can write outside their ethnicity or sex depending how open and vulnerable they wish to be.
202
Writing as a woman presents enormous problems but I have attempted it several times and haven't had many complaints.
203
I got $30 from Nation magazine for a poem and $500 for my first book of poems.
204
I'm not rational enough to be a good journalist.
205
I used to get criticized for putting food in novels.
206
I do have trouble with titles.
207
I can write anywhere.
208
I thought, frankly, that it would be more pleasant to write a memoir than it was.
209
I enjoy about 1 out of 100 movies, it's about the same proportion to books published that I care to read.
210
So when I made some money, I didn't have any idea how one handled such a situation because no one in our family ever had any money.
211
I think the trouble with artists or chefs who whine about criticism is that if you love the good reviews, you have to at least read the bad ones.
212
Sometimes literary critics review the book they wanted you to write, not the book you wrote, and that's very irksome.
213
My biggest pet peeve is when you go to a fine restaurant, and it's like a mausoleum inside. Good food should be joyful. There should be laughter and chatter, not people sitting there like they're in a funeral-parlor waiting room. Pet
214
The big curse of America, to me, is skinless, boneless chicken breasts. They're banal and relatively flavorless. The rest of the world's trying to get some fat to eat, and we're trying to ban it from our diet. Diet
215
Given free rein, our imagination can get infinite.
216
If all I did was answer the correspondence I get, that would be my job.
217
Unlike a lot of writers, I don't have any craving to be understood.
218
I work every morning, all morning, sometimes in the afternoons. Then sometimes I hunt in the afternoons - quail, doves, grouse up north - but just to stay alive, because writers die from their lifestyle but also from their lack of movement.
219
Other than fishing and a little bird-hunting, all I do is write.
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You do manage a somewhat religious attitude toward your art. It is a calling rather than a job. Attitude
221
I've never been a true fan of the short story and have only published a single example of my own.
222
What moves me most is style: the quality of the writing rather than the story being told.
223
As a child, I was an obsessive reader, as was everybody in my family all winter long with my father. I think I was only 8 when I read Edward Gibbon's 'The History of the Decline and Fall of the Roman Empire.'
224
If all I did was pretend I was Wilderness Jimmy, I would go stale. You know, I fish maybe 100 days of the year and bird-hunt, but if I didn't go to Paris once or twice a year, I'd be crazy.
225
Marriage is survived just on the basis of ordinary etiquette, day in and day out. Also cooking together helps a lot... I've seen all these marriages that failed. Those people are always hollering at each other. That doesn't work.
226
Your subconscious mind is trying to help you all the time. That's why I keep a journal - not for chatter but for mostly the images that flow into the mind or little ideas. I keep a running journal, and I have all of my life, so it's like your gold mine when you start writing.
301
I'm outdoors a lot, so I get dark. Guess who gets stopped? I've been pulled over, and they ask, 'Where are you from?' I say, 'Montana.' They say, 'Are you sure? And I say, 'I'm reasonably sure I'm from Montana, but you know, this is a dream life.' You start on this shtick with them and it's fun.
302
Whatever I learned reading 'Scientific American,' nothing can finally compete with your own observations.
303
We are supposed to write poetry to keep the gods alive.
304
Either you can do what others want, or you can do what you want to do. That's an easy call.
305
I wasn't taking myself seriously as a novelist, and then it became my day job.
306
I had a concussion I didn't get over for three years. I think that's why I'm goofy.
307
I don't trust anybody that doesn't do good work. I don't give them any credibility. If they can't write, why should I believe anything they have to say?
308
I couldn't read a screenplay without puking.
309
The idea is to eat well and not die from it - for the simple reason that that would be the end of your eating.
310
I've got a poem that's in a lot of international anthologies called 'After the Anonymous Swedish' and I thought, 'Well, I'm a Swede. I can make up a Swedish poem.' It turned out pretty good.
311
I've always been very much attracted to a character that's actually free.
312
The reviews are getting better, but they always do, in time, if you're still alive.
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I can't stand the short story form, which, after all, is a magazine form.
314
When I write, I don't like to be around any humans.
315
There aren't any real dumb people in my voices. It's always irritated me about Hollywood dialogue - there's so much dialogue that would just bore a Ford mechanic. This is not how people talk.
316
Fiction writers tend to err either making people more than they are or less than they are. I'd rather err on the side of the former.
317
There's something frightening about finding a woman who would take your heart.
318
The person that was closest to me growing up was my sister, who died at 19. She was an incredibly powerful girl, deeply committed to art and literature.
319
I like grit. I like love and death. I'm tired of irony.
320
Sometimes, I tell my wife I have to take a car trip and collect new memories - I like to drive around at absolute random for weeks on end through the United States and parts of Canada. Or else I feel trapped, like you feel when your life is completely planned for months in advance, and you think you're not getting enough oxygen.
321
I grew up in an agricultural family, and I never distanced myself from where the food comes from. I think it's quite natural.
322
I used to have this illusion that time and remote areas prepare you for the world. Our moms used to think that kind of thing. Well, it doesn't prepare you for the world at all!
323
I'm a time person. It's the one discipline I manage.
324
I wrote 'Legends of the Fall' in nine days, but I had been thinking about it for a few years.
325
Age focuses you. You are much better concentrated. There's more time when you travel less, don't do book tours, avoid interviews or public appearances. You walk the dogs, fish, hunt, cook and write.
326
I admit to occasionally sharing the financial hysteria of the rest of the country, the urgency to save more for the family in case you can't write any more.
401
I've always been intemperate in my affection for food.
402
I don't feel tentative when I start to write. I've usually thought about a novel or novella for several years and created a lot of juice and density and energy by that time so by the time I get ready to go, I just let 'er fling, you know.
403
I became aesthetically obsessed with language. And 'literary artist' - poet and novelist - is a calling. You are called to it the way preachers are called to preaching the gospel.
404
The only durable sense of success is if you've followed your calling.
405
Between the two dream coasts, we're just called flyover country... If you aren't known as an amorphous Eastern Seaboard writer, you're dismissed as a regional author.
406
I don't want to go around like some kind of bleeding giant or whatever, or thinking I'm a big deal, because it doesn't help you do your work. I think people like Hemingway got into an awful lot of trouble that way.
407
You can be in terrible shape, and if you take a three-hour walk through the forest and along the river, you're simply not the same as when you started out.
408
I think about the sentence a long time, and then I write it. I don't revise it once it's set down.
409
If I can't be fishing or hunting, I want to be in the Museum of Modern Art in New York.
410
We are delightfully trapped by our memories. I can't drink a bottle of Chateauneuf-du-Pape Vieux Telegraphe without revisiting a hotel bistro in Luzerne, Switzerland, where I ate a large bowl of a peppery Basque baby goat stew. A sip and a bite. A bite and sip. Goose bumps come with the divine conjunction of food and wine.
411
I'm afraid that eating in restaurants reflects one's experiences with movies, art galleries, novels, music - that is, characterized by mild amusement but with an overall feeling of stupidity and shame. Better to cook for yourself.
412
Riesling? It smells like an intensive care ward.
413
Food is a great literary theme. Food in eternity, food and sex, food and lust. Food is a part of the whole of life. Food is not separate.
414
You have to temporarily be the character in order to understand him. It's sort of what they used to call 'shape-shifting.'
415
I don't think it matters how fast you write. It's how long you thought about it. I like to think of it as a well filling up. I think about it until the well is full, and then I let go.
416
I do mourn my characters. I wrote an essay once where I was sure that far back in a marsh there was a hummock - a little hill of hardwoods - and an old farm house, where all the heroines in my novels lived together with all my beloved dead dogs. I've discussed this with my therapist, naturally. He says it's okay in fair amounts.
417
My favorite thing is just walking in the woods. I can do it for days on end without tiring of it.
418
Sometimes, discomfort is very uncomfortable. Anybody can get occasionally tired of it, and then it can change fast, where it's comfort that disturbs you.
419
You can't be unhappy in the middle of a big, beautiful river.
420
Nothing in the world causes more problems than concepts of ethnic virtue. It's irrelevant.
421
We pretend that the brain is binary, like a computer. But it's not. It's completely holographic.
422
I won't talk or deal with a young writer unless I sense he has utterly given his life over to it. It's a waste of my time. If they don't feel 'called' - why in God's name would you do this?
423
How is it macho that I like to hunt and fish? I've been doing it since I was four.
424
Poetry, at its best, is the language your soul would speak if you could teach your soul to speak.
425

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