Roistering, drunken and doomed Welsh poet. Original, rhythmic and ingenious use of words and imagery. Obscure. Refused to align with any literary group or movement. Influenced by the modern symbolism and surrealism. Against strict verse forms.

Many critics have argued that Thomas's work is too narrow and that he suffers from verbal extravagance.

Theme: unity of all life, the continuing process of life and death and new life that linked the generations. He saw men and women locked in cycles of growth, love, procreation, new growth, death, and new life.

In a postmodern age that continually attempted to demand that poetry have social reference, none could be found in Thomas's work, and his work was so obscure that critics could not explicate it.

Thomas's early poetry was noted for its verbal density, alliteration, sprung rhythm and internal rhyme, and he was described by some critics as having been influenced by the English poet Gerard Manley Hopkins.

Dylan Thomas   wrote `I hold a beast, an angel, and a madman in me, and my enquiry is as to their working, and my problem is their subjugation and victory, downthrow and upheaval, and my effort is their self-expression`.Thomas was born in Swansea, Wales, on October 27, 1914. After grammar school he moved to London where, in 1934, his first book of poetry, Eighteen Poems, was published. At this early age, he revealed unusual power in the use of poetic diction and imagery; the volume won him immediate critical acclaim. Thematically, these poems and virtually all that followed seem obscure because they contain elements of surrealism and personal fantasy. But the freshness and vitality of Thomas`s language draw the reader into the poems and reveal the universality of the experiences with which they are concerned. This introspective tendency is less apparent in Deaths and Entrances (1946) and In Country Sleep (1951), which are generally regarded as containing his finest writing. Thomas`s other works include Twenty-five Poems (1936) and The Map of Love (1939), containing both poetry and prose. A Portrait of the Artist as a Young Dog (1940) is a group of autobiographical sketches, and Adventures in the Skin Trade (published posthumously, 1954) contains an unfinished novel and other prose pieces. During World War II (1939-1945) Thomas wrote scripts for documentary motion pictures.

After the war Thomas was a literary commentator for BBC radio. Under Milk Wood (published posthumously, 1954), a play for voices, was originally written for radiobroadcast; when Thomas read it for its first public performance in Cambridge, Massachusetts, in 1953, it was still unfinished. The work became his most famous piece; it evokes the lives of the inhabitants of Llareggub, a small, Welsh seaside town. Noted for his readings of his own verse, Thomas became legendary in the United States, where he gave many lecture tours and gained a wide following. Nevertheless, his last years were shadowed by an increasingly tragic view of his own tempestuous life. His death in New York City on November 9, 1953, was brought on by alcoholism.