Schubert sounds more light, classical, repeating, closer to Mozart.

Dvorák sounds more post-romantic, sweeping, singing, closer to Rachmaninov. Sometimes dancing.

Only Schubert has piano song.

Only Dvorák has opera, cello concerto. (Dvorák, Schubert)

Only Schubert has piano quintet, string quartet.

Only Brahms has clarinet quintet, requiem, piano concerto, violin concerto.

Schubert sounds more light, classical, repeating, closer to Mozart.

Brahms sounds more romantic, energetic, rich, mellow, sometimes dance. (Brahms, Schubert)

Simple island.

Schubert sounds more light, classical, repeating, closer to Mozart.

Rachmaninov sounds more russian melodic, sweeping, energetic, piano technical.

Only Schubert has string quartet, piano trio, german songs, piano quintet.

Only Rachmaninov has violin vocalise, liturgy. (Rachmaninov, Schubert)

Schubert sounds more classical, light,

Chopin sounds more romantic: either more dark or more dance. Piano pieces sound more expressive, technical, fast, rolling, tender, sometimes song-like.

Only Schubert has piano song, piano quintet, piano trio, string quartet, symphony.

Only Chopin has piano concerto.

Only piano pieces are difficult to guess. Both composers have slow piano pieces, while Schubert usually keeps clean and clear melody and sounds more uniform. (Chopin, Schubert)

Haydn sounds more regular, classical.

Schubert sounds more expressive, romantic.

Only Haydn has trumpet concerto, opera, cello concerto, violin concerto, messa.

Only Schubert has piano song, piano trio. (Haydn, Schubert)

Schubert sounds more simple, regular.

Mendelssohn sounds more romantic, light, delicate.

Only Schubert has string quartet, piano song.

Only Mendelssohn has opera, violin concerto, organ, string octet. (Mendelssohn, Schubert)

Mozart sounds more regular, classical, transparent.

Schubert sounds more romantic. Some Schubert piano pieces can be slow.

Only Mozart has clarinet concerto, piano concerto, flute concerto, violin concerto, horn concerto, horn quintet, clarinet quintet, messa, opera.

Only Schubert has piano trio, piano song. (Mozart, Schubert)

Schubert sounds more light, closer to Mozart.

Beethoven sounds more romantic.

Only Schubert has piano songs.

Only Beethoven has opera, piano trio, missa, violin concerto, piano concerto. (Beethoven, Schubert)

Both have a very intimate, personal and very passionate, expressive style to their music.

Schubert sounds more light, melodic, closer to Mozart.

Schumann sounds more harmonic, calm, grief.

Schumann was willing to go farther in baring his soul - he did not disdain even awkwardness if it better conveyed the emotion he wanted to express.

Schubert was expressive and intimate, too - but he played by the rules a lot more.

Only Schubert has string quartet, piano quintet, piano trio.

Only Schumann has piano concerto, cello concerto, organ, requiem. (Schubert, Schumann)

This is a simple comparison of romantic Schubert to late romantic Tchaikovsky.

Schubert sounds more classical, repetitive, simple harmonic, simple structure, closer to Mozart. Some Schubert piano pieces can be slow, but they will still be simple harmonic.

Tchaikovsky sounds more sweeping, dance, folklore, song-like. (Schubert, Tchaikovsky)

This is a simple island, but some tracks can be interesting to compare.

Both composers have light music, but Schubert sounds more classical, while Glazunov sounds closer to late romantic.

Only Schubert has piano, vocal, chamber music. (Glazunov, Schubert)

Schubert sounds closer to Mozart, light.

Fauré sounds more romantic.

Interesting thing is that Schubert can have more spaced rhythm, but his melody is usually more simple and harmonic. Fauré usually has more simple rhythm, but melody is more complex.

Watch out for Fauré's Masques et bergamasques, which sounds light and straightforward.

Only Schubert has string quartet, quintet, piano trio in this game. (Fauré, Schubert)