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Morton Feldman USA [1926-1987]
Group: New York School
Short description: Pioneer of indeterminate music. Notational innovations that he developed to create his characteristic sound: rhythms that seem to be free and floating; pitch shadings that seem softly unfocused; a generally quiet and slowly evolving music; recurring asymmetric patterns. His later works, after 1977, also begin to explore extremes of duration. Distributed limited number of sounds in long time intervals. Teachers: Wolpe, Varese. Music flows above non-regular rhythms. Repetitive and even minimalism sometimes.
Played 0 of tracks for this composer (total answers). Played blocks map:


(01) Yvar Mikhashoff - Vertical Thoughts 4 (4m)
Rothko Chapel (26m)
Extensions 1 (6m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/01-Pages 1-4 (4m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/02-Pages 5-9 (16m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/03-Pages 10-14 (12m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/04-Pages 15-19 (13m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/06-Pages 25-27 (9m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/07-Pages 28-31 (11m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/08-Pages 32-36 (11m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/09-Pages 37-41 (14m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/11-Pages 47-51 (13m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/12-Pages 52-54 (10m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/13-Pages 55-58 (9m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/15-Pages 64-68 (10m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/16-Pages 69-73 (14m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/17-Pages 74-78 (11m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/18-Pages 79-80 (6m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/19-Pages 80-83 (11m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/20-Pages 84-88 (15m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/23-Pages 99-100 (9m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/24-Pages 101-104 (11m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/26-Pages 110-114 (15m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/27-Pages 115-119 (14m)
String Quartet No.2 (1983) - FLUX Quartet DVDA (2002)/28-Pages 120-124 (15m)
Extensions 3 (1952) (6m)

Last comments for this composer:
Rualark
2015-05-16 08:27:07

Being one of the large 'ALL' islands, this one Still does not seem to be the most difficult, because modern composer differences sound more pronounced than for example Romantic. [All Modern]

Rualark
2015-03-06 22:23:56

Two composers, who are known for using little number of notes.

Scelsi sounds symphonic, single note is played by multiple instruments, varying in dynamics.

Feldman sounds more dissonant, chamber long non-changing chords. (Feldman, Scelsi)

Rualark
2015-03-06 22:14:02

Compare two modern composers: american Feldman to his german teacher Wolpe.

Feldman sounds repetitive, sparce, long dissonant chords, chamber. Feldman piano pieces sound even more sparce with short random notes.

Wolpe sounds atonal, closer to Schoenberg. Wolpe piano piece sounds percussive and energetic.

Beware of the Feldman Rothko Chapel, which sounds more melodic and has vocal. (Feldman, Wolpe)

Rualark
2015-03-06 22:09:50

Compare two modern composers: american Feldman to his french teacher Varèse.

Feldman sounds repetitive, sparce, long dissonant chords, chamber.

Varèse sounds much more chaotic, changing, noisy.

Only Feldman has solo piano in this game.

Beware of the Feldman Rothko Chapel, which sounds more melodic and has vocal. (Feldman, Varèse)

Showing 100 last comments

Associated paintings:

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