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Gustav Mahler [1860-1911] Austrian
Rank: 101
Composer (with music)
Late- / Post-Romantic, Yearning


Gustav Mahler was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. 

Music, Nature, Failure, Great, Space



QuoteTagsRank
It is strange how one feels drawn forward without knowing at first where one is going.
101
Fortunately, something always remains to be harvested. So let us not be idle.
102
If a composer could say what he had to say in words he would not bother trying to say it in music. Music
103
When I have reached a summit, I leave it with great reluctance, unless it is to reach for another, higher one. Great
104
A symphony must be like the world. It must contain everything.
105
Destiny smiles upon me but without making me the least bit happier.
106
I am hitting my head against the walls, but the walls are giving way.
107
It should be one's sole endeavor to see everything afresh and create it anew.
108
It's not just a question of conquering a summit previously unknown, but of tracing, step by step, a new pathway to it.
109
The call of love sounds very hollow among these immobile rocks.
110
Don't bother looking at the view - I have already composed it.
111
I also had a brother who was like me a musician and a composer. A man of great talent, far more gifted than I. He died very young... he killed himself in the prime of his life.
112
Spring won't let me stay in this house any longer! I must get out and breathe the air deeply again. Nature
113
With the coming of spring, I am calm again. Nature
114
I beg of you... never assume an inner or an outer pose, never a disguise.
115
I don't let myself get carried away by my own ideas - I abandon 19 out of 20 of them every day.
116
I have become a different person. I don't know whether this person is better, he certainly is not happier.
117
All that is not perfect down to the smallest detail is doomed to perish.
118
If I weren't the way I am, I shouldn't write my symphonies.
119
The impressions of the spriritual experiences gave my future life its form and content.
120
The real art of conducting consists in transitions. Music
121
If you think you're boring your audience, go slower not faster.
122
You must renounce all superficiality, all convention, all vanity and delusion.
123
The point is not to take the world's opinion as a guiding star but to go one's way in life and working unerringly, neither depressed by failure nor seduced by applause. Failure
124
An operetta is simply a small and gay opera.
125
Behind me the branches of a wasted and sterile existence are cracking.
126
I live like a Hottentot. I cannot exchange one sensible word with anyone.
201
I was a crazy young man who let himself be blinded by his passions and obeyed only the impulses of the moment.
202
Never let oneself be guided by the opinion of one's contemporaries. Continue steadfastly on one's way.
203
Discipline, work. Work, discipline.
204
There is a world of difference between a Mahler eighth note and a normal eighth note.
205
I hope you will no longer accuse me of a lack of delicacy. as I now count on your understanding.
206
In its beginnings, music was merely chamber music, meant to be listened to in a small space by a small audience. Music, Space
207
Melodic invention is one of the surest signs of a divine gift.
208
The spirit can assert itself only through the medium of clear form.
209
The longer you live and the more you learn, the more clearly you will feel the difference between the few men who are truly great and the mere virtuosi.
210
Beauty and fullness of tone can be achieved by having the whole orchestra play with high clarinets and a carefully selected number of piccolos.
211
Even if people censure me, they should do so hat in hand.
212
It is easier to achieve a desired result in short pieces.
213
The further the music develops, the more complex the apparatus used by the composer to express his thoughts becomes.
214
To judge a composer's work, one must consider it as a whole.
215
What I wanted and what I visualized while composing has not always been realized.
216
In the theatrical works we love and admire the most, the ending of the drama generally takes place offstage.
217

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