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George Lucas [1944-0] American

Rank: 101
Director, Filmmaker

George Walton Lucas, Jr. is an American filmmaker and entrepreneur. He is best known as the creator of the Star Wars and Indiana Jones franchises, as well as the founder of Lucasfilm and Industrial Light & Magic.

Movies, Technology, Science, Education, Imagination, Age, Amazing, Architecture, Art, Business, Car, Chance, Communication, Design, Famous, Hope, Inspirational, Learning, Life, Motivational, Power, Space, Truth, Wisdom, Work

Quote	Tags	Rank
You simply have to put one foot in front of the other and keep going. Put blinders on and plow right ahead.	Motivational	101
The technology keeps moving forward, which makes it easier for the artists to tell their stories and paint the pictures they want.	Technology	102
One thing about 'Star Wars' that I'm really proud of is that it expands the imagination. That's why I like the 'Star Wars' toys.	Imagination	103
Working hard is very important. You're not going to get anywhere without working extremely hard.	Work	104
A lot of people like to do certain things, but they're not that good at it. Keep going through the things that you like to do, until you find something that you actually seem to be extremely good at. It can be anything.		105
If the boy and girl walk off into the sunset hand-in-hand in the last scene, it adds 10 million to the box office.	Movies	106
You can't do it unless you can imagine it.	Imagination	107
I'm not much of a math and science guy. I spent most of my time in school daydreaming and managed to turn it into a living.	Science	108
When I was making 'Star Wars,' I wasn't restrained by any kind of science. I simply said, 'I'm going to create a world that's fun and interesting, makes sense, and seems to have a reality to it.'	Science	109
The story being told in 'Star Wars' is a classic one. Every few hundred years, the story is retold because we have a tendency to do the same things over and over again. Power corrupts, and when you're in charge, you start doing things that you think are right, but they're actually not.	Power	110
A director makes 100 decisions an hour. Students ask me how you know how to make the right decision, and I say to them, 'If you don't know how to make the right decision, you're not a director.'		111
I live a reasonably simple life, off the beaten track.		112
A film is sort of binary - it either works or it doesn't work. It has nothing to do with how good a job you do. If you bring it up to an adequate level where the audience goes with the movie, then it works, that is all.		113
Whatever has happened in my quest for innovation has been part of my quest for immaculate reality.	Truth	114
'Star Wars' is fun, its exciting, its inspirational, and people respond to that. It's what they want.	Inspirational	115
I loved photography and everybody said it was a crazy thing to do because in those days nobody made it into the film business. I mean, unless you were related to somebody there was no way in.	Business	116
The secret is not to give up hope. It's very hard not to because if you're really doing something worthwhile I think you will be pushed to the brink of hopelessness before you come through the other side.	Hope	117
Before I became a film major, I was very heavily into social science, I had done a lot of sociology, anthropology, and I was playing in what I call social psychology, which is sort of an offshoot of anthropology/sociology - looking at a culture as a living organism, why it does what it does.	Science	118
One of the amazing things about 'Seven Samurai' is that there are a lot of characters. And considering you have so many, and they all have shaved heads, and you've got good guys and bad guys and peasants, you get to understand a lot of them without too much being said.	Amazing	119
I wanted to race cars. I didn't like school, and all I wanted to do was work on cars. But right before I graduated, I got into a really bad car accident, and I spent that summer in the hospital thinking about where I was heading. I decided to take education more seriously and go to a community college.	Car, Education	120
Good luck has its storms.	Chance	121
The influence of 'Hidden Fortress' comes up a lot because it was printed in a book once. The truth is, the only thing I was inspired by was the fact that it's told from the point of view of two peasants, who get mixed up with a samurai and princess and a lot of very high-level people.		122
I am a giant proponent of giant screens. But I accept the fact that most of my movies are going to be seen on phones.	Movies	123
I thought Star Wars was too wacky for the general public.	Movies	124
Even in high school I was very interested in history - why people do the things they do. As a kid I spent a lot of time trying to relate the past to the present.		125
To be renewed is everything. What more could one ask for than to have one's youth back again?	Age	126
Making a film is like putting out a fire with sieve. There are so many elements, and it gets so complicated.		201
There wasn't much as a kid that inspired me in what I did as an adult, but I was always very interested in what motivates people, and in telling stories and building things.		202
It was the money from 'Star Wars' and 'Jaws' that allowed the theaters to build their multiplexes, which allowed an opening up of screens.		203
Football games are on TV, and it doesn't affect stadium attendance at all. It's the same with movies. People who really love movies and like to go out on a Saturday night will go to the movie theater.	Movies	204
If you really love films, and you really want to get the full impact, there's a huge difference between watching something on a small screen with a mediocre sound system and watching it on a giant screen in a giant theater with a huge beautiful sound system. I mean, the difference is electric.		205
'Young Indiana Jones' was one of the happiest times I ever had, so I love television.		206
In 3-D filmmaking, I can take images and manipulate them infinitely, as opposed to taking still photographs and laying them one after the other. I move things in all directions. It's such a liberating experience.		207
Everyone seems to think that digital technology devoids the medium of content, but that is not true at all. If anything, it broadens the content.	Technology	208
I was never interested in being powerful or famous. But once I got to film school and learned about movies, I just fell in love with it. I didn't care what kind of movies I made.	Famous, Movies	209
The secret to the movie business, or any business, is to get a good education in a subject besides film - whether it's history, psychology, economics, or architecture - so you have something to make a movie about. All the skill in the world isn't going to help you unless you have something to say.	Architecture, Education	210
The secret to film is that it's an illusion.	Movies	211
Learning to make films is very easy. Learning what to make films about is very hard.	Learning, Movies	212
Everybody has talent, it's just a matter of moving around until you've discovered what it is.		213
A special effect is a tool, a means of telling a story. A special effect without a story is a pretty boring thing.		214
I am simply trying to struggle through life; trying to do God's bidding.	Life	215
The way I define 'intelligent design' is that when people started out, we wanted to make sense of the world we lived in, so we created stories about how things worked.	Design	216
I started out in anthropology, so to me how society works, how people put themselves together and make things work, has always been a big interest.		217
There should be a point to movies. Sure, you're giving people a diversion from the cold world for a bit, but at the same time, you pass on some facts and rules and maybe a little bit of wisdom.	Movies, Wisdom	218
All art is dependent on technology because it's a human endeavour, so even when you're using charcoal on a wall or designed the proscenium arch, that's technology.	Art, Technology	219
Storytelling is about two things; it's about character and plot.	Communication	220
None of the films I've done was designed for a mass audience, except for 'Indiana Jones.' Nobody in their right mind thought 'American Graffiti' or 'Star Wars' would work.		221
Digital technology allows us a much larger scope to tell stories that were pretty much the grounds of the literary media.	Technology	222
I was going to go to a four-year college and be an anthropologist or to an art school and be an illustrator when a friend convinced me to learn photography at the University of Southern California. Little did I know it was a school that taught you how to make movies! It had never occurred to me that I'd ever have any interest in filmmaking.	Movies	223
I was afraid that science-fiction buffs and everybody would say things like, 'You know, there's no sound in outer space.'	Space	224
Although I write screenplays, I don't think I'm a very good writer.		225
I've come to the conclusion that mythology is really a form of archaeological psychology. Mythology gives you a sense of what a people believes, what they fear.		226
I grew up in San Francisco. And so I'm informed in a certain kind of way about, you know, believing in democracy and believing in America. And I'm a very ardent patriot.		301
Part of the issue of achievement is to be able to set realistic goals, but that's one of the hardest things to do because you don't always know exactly where you're going, and you shouldn't.		302
Film is not an easy occupation. There's a lot of occupations that are difficult and film is one of them.		303
The sound and music are 50% of the entertainment in a movie.	Movies	304
There's no difference between movies and television. None at all. Except in a lot of cases, television's much better than movies.		305
I'm one of those people who says, 'yes, cinema died when they invented sound.'		306
I realized why directors are such horrible people - in a way - because you want things to be right, and people will just not listen to you, and there is no time to be nice to people, no time to be delicate.		307
As a Western, 'The Magnificent Seven' was a pretty good film. I don't think it was as interesting or as multi-faceted as 'Seven Samurai.'		308
When you are a beginning film maker you are desperate to survive. The most important thing in the end is survival and being able to get to your next picture.		309
It's hard work making movies. It's like being a doctor: you work long hours, very hard hours, and it's emotional, tense work. If you don't really love it, then it ain't worth it.		310
Changes are not unusual - I mean, most movies, when they release them, they make changes. But somehow, when I make the slightest change, everybody thinks it's the end of the world.		311
If you look at 'Blade Runner,' it's been cut sixteen ways from Sunday, and there are all kinds of different versions of it.		312
I've never been that much of a money guy. I'm more of a film guy, and most of the money I've made is in defense of trying to keep creative control of my movies.		313
'American Graffiti' was unpleasant because of the fact that there was no money, no time, and I was compromising myself to death.		314
Digital technology is the same revolution as adding sound to pictures and the same revolution as adding color to pictures. Nothing more and nothing less.		315
I've always been a follower of silent movies. I see film as a visual medium with a musical accompaniment, and dialogue is a raft that goes on with it.		316
The ideals and principles for which Dr King fought have never been forgotten and are as relevant today as they were 40 years ago.		317
For 'Star Wars' I had to develop a whole new idea about special effects to give it the kind of kinetic energy I was looking for. I did it with motion-control photography.		318
Film is a very tight little box. If you don't fit in that box, you're gone. Television, there's more room to move around.		319
Whenever you do something, people try to re-do it and do a better version, especially if they're in another country.		320

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