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Elia Kazan [1909-2003] American

Rank: 101
Director

Elia Kazan was a Greek-American director, producer, writer and actor, described by The New York Times as "one of the most honored and influential directors in Broadway and Hollywood history".
He was born in Istanbul, to Cappadocian Greek parents.

Art, Cool, Courage, Poetry, Relationship

Quote	Tags	Rank
I hate the Communists and have for many years and don't feel right about giving up my career to defend them. I will give up my film career if it is in the interests of defending something I believe in, but not this.		101
Whatever hysteria exists is inflamed by mystery, suspicion and secrecy. Hard and exact facts will cool it.	Cool	102
I may be getting old, but not foolish.		103
Every fighter has one fight that makes or breaks him.		104
I was both very successful and very left; the living demonstration of how you could be on the left and still be in the gossip columns and be envied for the money you made.		105
I would rather do what I did than crawl in front of a ritualistic Left and lie the way those other comrades did betray my own soul.		106
You have no idea how fragile an actor's self-worth is.		107
The writer, when he is also an artist, is someone who admits what others don't dare reveal.	Art	108
I was an outsider... but I was also sympathetic with people that were struggling to get up, because I struggled to get up.		109
You have to remind people of their own struggles. It's a responsibility.		110
Every picture that is successful has one little miracle in it.		111
Our relationship was cursed by the fact that we agreed on everything.	Relationship	112
A good director's not sure when he gets on the set what he's going to do.		113
I truly believe that all power corrupts. Such is probably the thinking behind every political film ever made in Hollywood.		114
Anybody who informs on other people is doing something disturbing and even disgusting.		115
To be a member of the Communist Party is to have a taste of the police state. It is a diluted taste but is bitter and unforgettable.		116
I was not a collective person or a bohemian; I was an elitist.		117
I was even superior to the Communists and when they didn't go along with me, I quit them.		118
The thing about Brando was that I'd make these directions, and he'd walk away. He'd heard enough... to get the machine going.		119
What's called a difficult decision is a difficult decision because either way you go there are penalties.		120
You've got to keep fighting - you've got to risk your life every six months to stay alive.		121
There was no doubt that there was a vast organization which was making fools of all the liberals in Hollywood and taking their money, that there was a police state among the Left element in Hollywood and Broadway.		122
I spoke without fear of contradiction. I simply did not suffer self-doubt.		123
The world was like a huge red carpet out ahead of me to be walked on. And it stretched on and on, no end.		124
I knew the exuberance of playing before an admiring audience and hearing my secret voice.		125
The more ambivalent you are and the more uncertain you are, then you can get something that you cannot anticipate.		126
I think there should be collaboration, but under my thumb.		201
I'm small, but I'm neither compliant nor agreeable.		202
Hey, you must be doin' good, 'cause I never hear from you.		203
The motion pictures I have made and the plays I have chosen to direct represent my convictions.		204
I was the hero of the young insurgent working class art movement.		205
I wouldn't go up on a stage now if you paid a thousand dollars for one minute of acting. It's a nasty experience. You're up there all by yourself. You're so damn exposed.		206
You can't just sit there and do the lines. You have to do something revealing or unusual.		207
I was the true future. I understood Communism better than they did.		208
I gave my life to the Group Theatre, because in it I'm building something for myself. What I build, I am.		209
The makers of entertainment must try, in our field, to be honest and grown-up.		210
The belief that the good in American society will finally win out... I don't believe any more.		211
The first thing you should do with an actor is not sign a contract with him. Take him to dinner. And take him for a walk afterwards.		212
When you know what an actor has, you can reach in and arouse it. If you don't know what he has, you don't know what the hell is going on.		213
Stylized acting and direction is to realistic acting and direction as poetry is to prose.	Poetry	214
The essence of the stage is concentration and penetration. Of the screen action, movement, sweep.		215
The physical life of the scene is determined by whether the set squeezes people together or whether the set has an escape place in it.		216
I want to thank the Academy for its courage and generosity.	Courage	217
I have no spy stories to tell, because I saw no spies. Nor did I understand, at that time, any opposition between American and Russian national interest.		218
I was taken in by what might be called the Hard Times version of the Communists' advertising or recruiting technique.		219
I used to spend most of my time straining to be a nice guy so people would like me.		220
I didn't have that much confidence. Maybe it looks that way. I'm glad it does.		221
I value peace when it is not bought at the price of fundamental decencies.		222
I joined the Communist Party late in 1934. I got out a year and a half later.		223
The Communists automatically violated the daily practices of democracy to which I was accustomed.		224
Acting... was the biggest charge I ever had. What other artist has it so good? Approval so quick?		225
I was always a self-conscious person.		226
I was not what you'd call a first-class actor, but I did all right.		301
I was very intense. I think it's a privilege to be an actor.		302
For years after I resigned, I was still faithful to their way of thinking. But not in the American Communists.		303
Very often the Group actor is a critic when he's acting and an actor when he's criticizing.		304
There is only one thing I respect in so-called Broadway actors... and that is their competitive sense.		305
I owe Bankhead a gift; she made a director out of me.		306
I will say nothing to an actor that cannot be translated into action.		307
A film director has to get a shot, no matter what he does. We're desperate people.		308
I question the value of stars. I think they're overrated. They get too much money, too much praise.		309
I like directors who come on the set and create something that's a little dangerous, difficult or unusual.		310
I said to Tennessee, this thing is becoming the Marlon Brando show.		311
Miller didn't write Death of a Salesman. He released it. It was there inside him, waiting to be turned loose. That's the measure of its merit.		312
I'm going to make a film where not one word is really important. I'm going to make it all action.		313
I don't remember anything anybody said in any Jack Ford picture. Nothing happens except action.		314
I've lost many of my best friends... I'm going to satisfy myself now, not the critics, not even my friends.		315

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