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Ziad Doueiri [0-0] Lebanese

Rank: 101
Director, Cinematographer

Ziad Doueiri is a Lebanese-born cinematographer, film director and writer. He is best known for his award-winning film West Beirut.

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I was born in Lebanon and emigrated to the U.S. and went back. I'd been raised in a French school in Beirut. Lebanon is a peculiar place, so bicultural it goes along with you. There is a Western influence, an Eastern influence. Most people are fluctuating between those identities.		101
I lived through many battles - the 1973, I was young; in 1982 with the Israeli invasions, and 2006 between Hezbollah and Israel. Before I emigrated to the States in '83, I had my own very black and white views of the Israelis and the Jews in general. But you start to understand that no matter what you think, there are two perspectives.		102
I was a child during the Lebanese civil war, and I remember Israeli bombardments. So growing up, my view of Israel was completely negative. I'm not coming from a neutral place, but with time, I've had to re-examine my thinking.		103
Sometimes art is ahead of revolution.		104
I am constantly swimming on the margin, neither 100% American, French, nor Lebanese. I am none of those. I am the result of those three. Sometimes it's an asset: no one can put you in a category. That I do not make typical Lebanese, European or American films does not bother me.		105
The world is going on a high-speed connection; the Arab revolution is still dial-up. So we have to give it a little time to download. Regimes come and go, but art endures.		106
I wasn't trained as a writer-director. And the projects I write are difficult to finish.		107
I graduated from UC San Diego, wanted to work in film to get my hands-on real experience, did music videos, TV, feature films, all kinds of stuff.		108
I wrote and finished the script for 'Man in the Middle' two weeks after the September 11 bombing. It's a very American film about an ex-diplomat based in the Middle East, a leader in the U.S. administration who now sells used cars in the Middle East.		109
Nine months after we submitted the original screenplay for 'The Attack,' the studio that was involved pulled out. I've been told that 'you don't write in a French way; you can't make these multicultural films.'		110
The mystified idea I had of Israel - the demonization of Israel - it just wasn't true.		111

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