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James Merrill [1926-1995] American
Rank: 111
Poet


James Ingram Merrill was an American poet whose awards include the Pulitzer Prize for Poetry for Divine Comedies. His poetry falls into two distinct bodies of work: the polished and formalist lyric poetry of his early career, and the epic narrative of occult communication with spirits and angels, titled The Changing Light at Sandover, which dominated his later career. 

Communication, Imagination

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At college I'd seen my dead frog's limbs twitch under some applied stimulus or other - seen, but hadn't believed. Didn't dream of thinking beyond or around what I saw.
101
Strange about parents. We have such easy access to them and such daunting problems of communication. Communication
102
And, as I have said, it's made me think twice about the imagination. If the spirits aren't external, how astonishing the mediums become! Victor Hugo said of his voices that they were like his own mental powers multiplied by five. Imagination
103
I'd like to think the scientists need us - but do they? Did Newton need Blake?
104
Knowing some Greek helped defuse forbidding words - not that I counted much on using them. You'll find only trace elements of this language in the poem.
105
The simplest science book is over my head.
106
He puts his right hand lightly on the cup, I put my left, leaving the right free to transcribe, and away we go. We get, oh, 500 to 600 words an hour. Better than gasoline.
107
Arthur Young's Reflexive Universe - fascinating but too schematic to fit into my scheme. The most I could hope for was a sense of the vocabulary and some possible images.
108
Before trying a novel I wrote a couple of plays.
109
But those two plays left me on fresh terms with language. I didn't always have to speak in my own voice.
110
In life, there are no perfect affections.
111

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