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Juan Pablo Di Pace [1979-0] Argentinian
Rank: 109
Actor


Juan Pablo Di Pace is an Argentine actor, singer and director. Di Pace began his career in United Kingdom, performing in a number of musicals and appearing in films like Survival Island and Mamma Mia!, and later moved to Spain, starring in several television series from 2009 to 2013.

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The beginning of my acting career was in London, England.
101
Religious or biblical can sometimes be a little soft, but 'A.D.' doesn't shy away from the violence of the time, the political intrigue. The story is really about the resurrection of faith, which is how the disciples went about keeping the word of Christ. So, they found all kinds of trouble and problems and torture and persecution.
102
I struggled in London for a very long time. 'Be prepared to struggle a lot' - it's a European mentality. The American mentality is positive and 'You can do it' and 'Everything's possible.' In Europe it's an older, more realistic way of thinking. You feel like you're having to prove that you can do it. Positive
103
I think everything's fair in art and how you perceive a character.
104
After 2012, there's been a shift in humanity, society and economics. We're witnessing a transition: everything is changing really fast - with that comes a wanting to see and believe, and faith and spirituality come into play. I think the world is now more spiritual than it ever was because people are searching for answers.
105
I spent ten years in London; I trained there. But because I started in English, it kind of feels the most natural to me, to act in English, which is a strange thing. My language is Spanish; I grew up in Argentina. I speak to my family in Spanish, but if you were to ask me what language I connect with, it'd be English in some weird way.
106
Every time I stepped onto the stage as Jesus, it felt like someone was pouring some honey into my body. It was amazing, an amazing feeling. And then when I had to let go of it, it was hard.
107
Sometimes I feel that in religious content, religious drama, it's almost told like a tale, like an account of facts, and in 'A.D. The Bible Continues,' it's drama, it's real drama that we like to see on TV today, seeing the characters struggle and doubt and be completely in conflict with each other, kind of like 'House of Cards.'
108
I have five, six, seven things I do before those lines are in my brain. I say them like I'm a robot; I sing them. I put a pencil in my mouth, and I say them. I cook. I play with a cushion and say them - so they really are inside of me.
109
The stage is that immediate rush of energy you get from the audience. Also, doing something in chronology - something that starts and finishes the same night. In television, you work toward the one scene, you shoot it, and then you have to forget about it because you have to worry about the next scene.
110
Everyone thinks they know Jesus because they've got a personal relationship with him.
111
I'm like the black sheep of my family.
112
For 'A.D.,' when I got the script, I was really moved, because even though it told a story that I knew all my life, it was told in a different way. It was told from a very personal point of view.
113
I wanted Jesus in 'A.D.' to be very, very, very human - to have those qualities of vulnerability and doubt and pain and sadness and loneliness. Once the resurrection happens and we see that Jesus has risen, it's almost complete, right? It's all about the joy and the smile and the happiness and the closeness to the disciples. Smile
114
I remember watching Robert Powell many years ago. He did 'Jesus of Nazareth,' and I remember thinking that was probably my favorite. Once I got the role, I didn't want to watch anything, because it only influences what you do.
115
There's a lot of actors that I admire because they can just switch one second into the character. Then, they go back to jokes, and then they're doing something really dramatic. I can't do that. I have to really focus.
116
I arrived in Los Angeles on the Monday, had a call from my agent to say they wanted to see me for 'Dallas,' made an audition tape at my friend's house in L.A. the same day, and had the job the following Monday.
117
I never lost my dreams in my 20s, and I know that sounds corny, but it's incredibly important to never let go of what you really want in your life.
118
I got the call to play Tony Manero in 'Saturday Night Fever' in Madrid, a role I'd always wanted, as it's such a well-constructed show, and my background is in musical theatre. I'd been travelling back and forth between London and Spain for auditions and had been borrowing money from friends to do it.
119
'Mamma Mia' and 'Dallas' have proved to me that the things you dream about can happen. I don't ask myself, 'How did I get here?' but instead, 'I deserve to be here. I was right to think this would happen.' I'm a firm believer in the power we have in our minds to want something and pursue it in a sane and focused way.
120
It makes me really proud to be an Argentinean, to have the pope be Argentinian. Pope Francis has been incredible. My mother used to know him when he was in Argentina.
121
You realize that as much as you want to socialize with the people on the set, or you want to, after a day shooting, joke around or whatever. Somehow, with playing Jesus, this doesn't happen. You actually need to decompress and be on your own and prepare on your own. It never happened to me before.
122

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