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Josh Schwartz [1976-0] American
Rank: 107
Producer, Screenwriter


Joshua Ian "Josh" Schwartz is an American screenwriter and television producer. Schwartz is best known for creating and executive producing the Fox teen drama series The O.C. which ran for 4 seasons. 


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I think you're only as good as the work that you do.
101
Certainly there's got to be a little bit of reality show fatigue happening.
102
I think our show is very different from Orange County.
103
I want every character be an outsider in some way.
104
If it happened to me, it can happen to anyone.
105
It's my experience that the fluidity of sexuality with younger people is more accepted.
106
Like they said about The West Wing, you can't do a show about Washington until you can.
107
The characters are that vague TV high school age, but they'll be in high school as long as we need them to be.
108
There is always drama and there will always be drama, but its the way its presented in my head that makes it so interesting. Everyone gets their time in the middle of the drama.
109
There's got to be a little bit of reality show fatigue happening.
110
We just happened to come along at time where there hadn't been a new young adult drama that also could appeal to adults as well in quite some time. We sort of found a little bit of a niche.
111
You gotta strike while the iron's hot.
112
As The O.C. started up again, I started to feel myself potentially getting pulled away.
113
Certainly the experiences of Seth and his relationship to his parents and his point of view of the world are very similar to my own and very much based on my experiences at the University of Southern California.
114
I am the kind of person that takes everything as is and then look at it from the outside looking in.
115
I'd started working when I was 21 and had been very determined about my career, very focused, even as a little kid, so it was something I had been working at for a long time.
116
It is my goal to learn as much about the people I'm surrounded by. I am slowly widening who I am close with, and at the same time, growing further away from others.
117
It's really hard in this day and age, with radio and MTV being so consolidated, to get new music out there. I think we've become a really legitimate, viable avenue for getting new music out there.
118
Last year, at the beginning of the year, we couldn't get arrested, so I'll take this. Feast versus famine.
119
Ten-year plan? No, three-year plan! I'm in a hurry.
120
The best years are behind me.
121
The girls in high school who watched 90210? I was watching Seinfeld.
122
The press always ends up being much nicer than I expect. A lot of times they say something snarky about you, but then you meet them in person and they couldn't be nicer.
123
The support that we have from the network in terms of watching us at an unusual time in the year and playing our episodes three times in a given week until we built an audience... is exceptional.
124
The trap is that you then just start doing stuff about Hollywood, which I don't really want to do.
125
We don't hold anything back. We go for broke, and if we have a good idea for a story line, we just use it because you never know and because the dynamics of the show are going to change.
126
Year Two is a critical year for any television show.
201
You have to act like a responsible professional in the industry regardless of your age.
202

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