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Stephen Vincent Benet - Nightmare Number ThreeStephen Vincent Benet - Nightmare Number Three
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We had expected everything but revolt And I kind of wonder myself when they started thinking-- But there’s no dice in that now. I’ve heard fellow say They must have planned it for years and maybe they did. Looking back, you can find little incidents here and there, Like the concrete-mixer in Jersey eating the wop Or the roto press that printed "Fiddle-dee-dee!" In a three-color process all over Senator Sloop, Just as he was making a speech.  The thing about that Was, how could it walk upstairs?  But it was upstairs, Clicking and mumbling in the Senate Chamber. They had to knock out the wall to take it away And the wrecking-crew said it grinned. It was only the best Machines, of course, the superhuman machines, The ones we’d built to be better than flesh and bone, But the cars were in it, of course . . . and they hunted us Like rabbits through the cramped streets on that Bloody Monday, The Madison Avenue busses leading the charge. The busses were pretty bad--but I’ll not forget The smash of glass when the Duesenberg left the show-room And pinned three brokers to the Racquet Club steps Or the long howl of the horns when they saw men run, When they saw them looking for holes in the solid ground . . . I guess they were tired of being ridden in And stopped and started by pygmies for silly ends, Of wrapping cheap cigarettes and bad chocolate bars Collecting nickels and waving platinum hair And letting six million people live in a town. I guess it was tha, I guess they got tired of us And the whole smell of human hands. But it was a shock To climb sixteen flights of stairs to Art Zuckow’s office (Noboby took the elevators twice) And find him strangled to death in a nest of telephones, The octopus-tendrils waving over his head, And a sort of quiet humming filling the air. . . . Do they eat? . . . There was red . . . But I did not stop to look. I don’t know yet how I got to the roof in time And it’s lonely, here on the roof. For a while, I thought That window-cleaner would make it, and keep me company. But they got him with his own hoist at the sixteenth floor And dragged him in, with a squeal. You see, they coöperate.  Well, we taught them that And it’s fair enough, I suppose.  You see, we built them. We taught them to think for themselves. It was bound to come.  You can see it was bound to come. And it won’t be so bad, in the country.  I hate to think Of the reapers, running wild in the Kansas fields, And the transport planes like hawks on a chickenyard, But the horses might help.  We might make a deal with the horses. At least, you’ve more chance, out there. And they need us, too. They’re bound to realize that when they once calm down. They’ll need oil and spare parts and adjustments and tuning up. Slaves?  Well, in a way, you know, we were slaves before. There won’t be so much real difference--honest, there won’t. (I wish I hadn’t looked into the beauty-parlor And seen what was happening there. But those are female machines and a bit high-strung.) Oh, we’ll settle down.  We’ll arrange it.  We’ll compromise. It won’t make sense to wipe out the whole human race. Why, I bet if I went to my old Plymouth now (Of course you’d have to do it the tactful way) And said, "Look here!  Who got you the swell French horn?" He wouldn’t turn me over to those police cars; At least I don’t think he would. Oh, it’s going to be jake. There won’t be so much real difference--honest, there won’t-- And I’d go down in a minute and take my chance-- I’m a good American and I always liked them-- Except for one small detail that bothers me And that’s the food proposition.  Because, you see, The concrete-mixer may have made a mistake, And it looks like just high spirits. But, if it’s got so they like the flavor . . . well . . .
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