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William Schwenck Gilbert - An Unfortunate LikenessWilliam Schwenck Gilbert - An Unfortunate Likeness
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I`VE painted SHAKESPEARE all my life - "An infant" (even then at "play"!) "A boy," with stage-ambition rife, Then "Married to ANN HATHAWAY." "The bard`s first ticket night" (or "ben."), His "First appearance on the stage," His "Call before the curtain" - then "Rejoicings when he came of age." The bard play-writing in his room, The bard a humble lawyer`s clerk. The bard a lawyer (3) - parson (4) - groom (5) - The bard deer-stealing, after dark. The bard a tradesman (6) - and a Jew (7) - The bard a botanist (8) - a beak (9) - The bard a skilled musician (10) too - A sheriff (11) and a surgeon (12) eke! Yet critics say (a friendly stock) That, though it`s evident I try, Yet even I can barely mock The glimmer of his wondrous eye! One morning as a work I framed, There passed a person, walking hard: "My gracious goodness," I exclaimed, "How very like my dear old bard! "Oh, what a model he would make!" I rushed outside - impulsive me! - "Forgive the liberty I take, But you`re so very" - "Stop!" said he. "You needn`t waste your breath or time, - I know what you are going to say, - That you`re an artist, and that I`m Remarkably like SHAKESPEARE.  Eh? "You wish that I would sit to you?" I clasped him madly round the waist, And breathlessly replied, "I do!" "All right," said he, "but please make haste." I led him by his hallowed sleeve, And worked away at him apace, I painted him till dewy eve, - There never was a nobler face! "Oh, sir," I said, "a fortune grand Is yours, by dint of merest chance, - To sport HIS brow at second-hand, To wear HIS cast-off countenance! "To rub HIS eyes whene`er they ache - To wear HIS baldness ere you`re old - To clean HIS teeth when you awake - To blow HIS nose when you`ve a cold!" His eyeballs glistened in his eyes - I sat and watched and smoked my pipe; "Bravo!" I said, "I recognize The phrensy of your prototype!" His scanty hair he wildly tore: "That`s right," said I, "it shows your breed." He danced - he stamped - he wildly swore - "Bless me, that`s very fine indeed!" "Sir," said the grand Shakesperian boy (Continuing to blaze away), "You think my face a source of joy; That shows you know not what you say. "Forgive these yells and cellar-flaps: I`m always thrown in some such state When on his face well-meaning chaps This wretched man congratulate. "For, oh! this face - this pointed chin - This nose - this brow - these eyeballs too, Have always been the origin Of all the woes I ever knew! "If to the play my way I find, To see a grand Shakesperian piece, I have no rest, no ease of mind Until the author`s puppets cease. "Men nudge each other - thus - and say, `This certainly is SHAKESPEARE`S son,` And merry wags (of course in play) Cry `Author!` when the piece is done. "In church the people stare at me, Their soul the sermon never binds; I catch them looking round to see, And thoughts of SHAKESPEARE fill their minds. "And sculptors, fraught with cunning wile, Who find it difficult to crown A bust with BROWN`S insipid smile, Or TOMKINS`S unmannered frown, "Yet boldly make my face their own, When (oh, presumption!) they require To animate a paving-stone With SHAKESPEARE`S intellectual fire. "At parties where young ladies gaze, And I attempt to speak my joy, `Hush, pray,` some lovely creature says, `The fond illusion don`t destroy!` "Whene`er I speak, my soul is wrung With these or some such whisperings: ``Tis pity that a SHAKESPEARE`S tongue Should say such un-Shakesperian things!` "I should not thus be criticised Had I a face of common wont: Don`t envy me - now, be advised!" And, now I think of it, I don`t!
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