Share:
  Guess poet | Poets | Poets timeline | Isles | Contacts

W H Auden - The Common LifeW H Auden - The Common Life
Work rating: Low


    A living-room, the catholic area you     (Thou, rather) and I may enter     without knocking, leave without a bow, confronts     each visitor with a style,     a secular faith: he compares its dogmas     with his, and decides whether     he would like to see more of us. (Spotless rooms     where nothing`s left lying about     chill me, so do cups used for ash-trays or smeared     with lip-stick: the homes I warm to,     though seldom wealthy, always convey a feeling     of bills being promptly settled     with cheques that don`t bounce.) There`s no We at an instant,     only Thou and I, two regions     of protestant being which nowhere overlap:     a room is too small, therefore,     if its occupants cannot forget at will     that they are not alone, too big     if it gives them any excuse in a quarrel     for raising their voices. What,     quizzing ours, would Sherlock Holmes infer? Plainly,     ours is a sitting culture     in a generation which prefers comfort     (or is forced to prefer it)     to command, would rather incline its buttocks     on a well-upholstered chair     than the burly back of a slave: a quick glance     at book-titles would tell him     that we belong to the clerisy and spend much     on our food. But could he read     what our prayers and jokes are about, what creatures     frighten us most, or what names     head our roll-call of persons we would least like     to go to bed with? What draws     singular lives together in the first place,     loneliness, lust, ambition,     or mere convenience, is obvious, why they drop     or murder one another     clear enough: how they create, though, a common world     between them, like Bombelli`s     impossible yet useful numbers, no one     has yet explained. Still, they do     manage to forgive impossible behavior,     to endure by some miracle     conversational tics and larval habits     without wincing (were you to die,     I should miss yours). It`s a wonder that neither     has been butchered by accident,     or, as lots have, silently vanished into     History`s criminal noise     unmourned for, but that, after twenty-four years,     we should sit here in Austria     as cater-cousins, under the glassy look     of a Naples Bambino,     the portrayed regards of Strauss and Stravinsky,     doing British cross-word puzzles,     is very odd indeed. I`m glad the builder gave     our common-room small windows     through which no observed outsider can observe us:     every home should be a fortress,     equipped with all the very latest engines     for keeping Nature at bay,     versed in all ancient magic, the arts of quelling     the Dark Lord and his hungry     animivorous chimaeras. (Any brute     can buy a machine in a shop,     but the sacred spells are secret to the kind,     and if power is what we wish     they won`t work.) The ogre will come in any case:     so Joyce has warned us. Howbeit,     fasting or feasting, we both know this: without     the Spirit we die, but life     without the Letter is in the worst of taste,     and always, though truth and love     can never really differ, when they seem to,     the subaltern should be truth.
Source

The script ran 0.001 seconds.