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Charles Baudelaire - ObsessionCharles Baudelaire - Obsession
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Grands bois, vous m`effrayez comme des cathédrales; Vous hurlez comme l`orgue; et dans nos coeurs maudits, Chambres d`éternel deuil vibrent de vieux râles, Répondent les échos de vos De profundis. Je te hais, Océan! tes bonds et tes tumultes, Mon esprit les retrouve en lui; ce rire amer De l`homme vaincu, plein de sanglots et d`insultes, Je l`entends dans le rire énorme de la mer Comme tu me plairais, ô nuit! sans ces étoiles Dont la lumière parle un langage connu! Car je cherche le vide, et le noir, et le nu! Mais les ténèbres sont elles-mêmes des toiles vivent, jaillissant de mon oeil par milliers, Des êtres disparus aux regards familiers. Obsession Great woods, you frighten me like cathedrals; You roar like the organ; and in our cursed hearts, Rooms of endless mourning where old death-rattles sound, Respond the echoes of your De profundis. I hate you, Ocean! your bounding and your tumult, My mind finds them within itself; that bitter laugh Of the vanquished man, full of sobs and insults, I hear it in the immense laughter of the sea. How I would like you, Night! without those stars Whose light speaks a language I know! For I seek emptiness, darkness, and nudity! But the darkness is itself a canvas Upon which live, springing from my eyes by thousands, Beings with understanding looks, who have vanished. Translated by William Aggeler Obsession You forests, like cathedrals, are my dread: You roar like organs. Our curst hearts, like cells Where death forever rattles on the bed, Echo your de Profundis as it swells. My spirit hates you, Ocean! sees, and loathes Its tumults in your own. Of men defeated The bitter laugh, that`s full of sobs and oaths, Is in your own tremendously repeated. How you would please me, Night! without your stars Which speak a foreign dialect, that jars On one who seeks the void, the black, the bare. Yet even your darkest shade a canvas forms Whereon my eye must multiply in swarms Familiar looks of shapes no longer there. Translation by Roy Campbell
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