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Amy Lowell - The Cremona Violin
Work rating: Low

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The back is maple and the belly is pine.
The rich notes twine
As though weaving in and out of leaves,
Broad leaves
Flapping slowly like elephants` ears,
Waving and falling.
Another sound peers
Through little pine fingers,
And lingers, peeping.
Ping! Ping! pizzicato, something is cheeping.
There is a twittering up in the branches,
A chirp and a lilt,
And crimson atilt on a swaying twig.
Wings! Wings!
And a little ruffled-out throat which sings.
The forest bends, tumultuous
With song.
The woodpecker knocks,
And the song-sparrow trills,
Every fir, and cedar, and yew
Has a nest or a bird,
It is quite absurd
To hear them cutting across each other:
Peewits, and thrushes, and larks, all at once,
And a loud cuckoo is trying to smother
A wood-pigeon perched on a birch,
"Roo — coo — oo — oo —"
"Cuckoo! Cuckoo! That`s one for you!"
A blackbird whistles, how sharp, how shrill!
And the great trees toss
And leaves blow down,
You can almost hear them splash on the ground.
The whistle again:
It is double and loud!
The leaves are splashing,
And water is dashing
Over those creepers, for they are shrouds;
And men are running up them to furl the sails,
For there is a capful of wind to-day,
And we are already well under way.
The deck is aslant in the bubbling breeze.
"Theodore, please.
Oh, Dear, how you tease!"
And the boatswain`s whistle sounds again,
And the men pull on the sheets:
        "My name is Hanging Johnny,
        Away-i-oh;
        They call me Hanging Johnny,
        So hang, boys, hang."
The trees of the forest are masts, tall masts;
They are swinging over
Her and her lover.
Almost swooning
Under the ballooning canvas,
She lies
Looking up in his eyes
As he bends farther over.
Theodore, still her lover!

The suds were dried upon Charlotta`s hands,
She leant against the table for support,
Wholly forgotten. Theodore`s eyes were brands
Burning upon his music. He stopped short.
Charlotta almost heard the sound of bands
Snapping. She put one hand up to her heart,
Her fingers touched the locket with a start.

Herr Altgelt put his violin away
Listlessly. "Lotta, I must have some rest.
The strain will be a hideous one to-day.
Don`t speak to me at all. It will be best
If I am quiet till I go." And lest
She disobey, he left her. On the stairs
She heard his mounting steps. What use were prayers!

He could not hear, he was not there, for she
Was married to a mummy, a machine.
Her hand closed on the locket bitterly.
Before her, on a chair, lay the shagreen
Case of his violin. She saw the clean
Sun flash the open clasp. The locket`s edge
Cut at her fingers like a pushing wedge.

A heavy cart went by, a distant bell
Chimed ten, the fire flickered in the grate.
She was alone. Her throat began to swell
With sobs. What kept her here, why should she wait?
The violin she had begun to hate
Lay in its case before her. Here she flung
The cover open. With the fiddle swung

Over her head, the hanging clock`s loud ticking
Caught on her ear. `Twas slow, and as she paused
The little door in it came open, flicking
A wooden cuckoo out: "Cuckoo!" It caused
The forest dream to come again. "Cuckoo!"
Smashed on the grate, the violin broke in two.

"Cuckoo! Cuckoo!" the clock kept striking on;
But no one listened. Frau Altgelt had gone.
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