Playwright. Themes: lesbian romantic. Idiosyncratic, playful, repetitive, humorous style. "Excess of consciousness".

Used the entire text as a field in which every element mattered as much as any other. Repetitions. No social judgement. Harmonic, integrative (no anxiety, fear and anger).

"Unlike her contemporaries (Eliot, Pound, Moore), she does not give us an image, however fractured, of a carafe on a table; rather, she forces us to reconsider how language actually constructs the world we know."

Predominantly used the present progressive tense, creating a continuous present in her work.

Gertrude Stein was born in Allegheny, Pennsylvania, USA. She spent her infancy in Vienna and Paris and her girlhood in Oakland, California. Stein studied psychology at Radcliffe College with the philosopher William James. After further study at Johns Hopkins medical school she went  to Paris, where she was able to live by private means. From 1903 to 1912 she lived with her brother Leo, who became an accomplished art critic; thereafter she lived with her lifelong companion Alice B. Toklas (1877-1967). Stein and her brother were among the first collectors of works by the Cubists and other experimental painters of the period, such as Pablo Picasso (who painted her portrait), Henri Matisse, and Georges Braque, William and Marguerite Zorach, several of whom became her friends. At her salon they mingled with expatriate American writers, such as Sherwood Anderson and Ernest Hemingway, and other visitors drawn by her literary reputation. Her literary and artistic judgments were revered, and her chance remarks could make or destroy reputations. 

During World War 1, Alice B. Toklas and Gertrude Stein returned to Paris in June 1916 and acquired a Ford truck with the help of connections in the United States; Gertrude learned to drive it with the help of her friend William Edwards Cook. Gertrude and Alice then volunteered to drive supplies to French hospitals, in the Ford they named Auntie, "after Gertrude`s aunt Pauline, `who  always behaved admirably in emergencies and behaved fairly well most times if she was flattered.`"

In her own work, Stein attempted to parallel the theories of Cubism, specifically in her concentration on the illumination of the present moment and her use of slightly varied repetitions and extreme simplification and fragmentation. The best explanation of her theory of writing is found in the essay Composition and Explanation, which is based on lectures that she gave at the universities of Oxford and Cambridge and was issued as a book in 1926. Among her work that was most thoroughly influenced by Cubism is Tender Buttons (1914), which carries fragmentation and abstraction beyond the borders of intelligibility. 

Her first published book, Three Lives (1909), the stories of three working-class women, has been called a minor masterpiece. The Making of Americans, a long composition written in 1906-08 but not published until 1925, was too convoluted and obscure for general readers, for whom she remained essentially the author of such lines as A rose is a rose is a rose is a rose. Her only book to reach a wide public was The Autobiography of Alice B. Toklas (1933), actually Stein`s own autobiography. The performance in the United States of her Four Saints in Three Acts (1934), which the composer Virgil Thomson had made into an opera, led to a triumphal American lecture tour in 1934-35. Thomson also wrote the music for her second opera, The Mother of Us All (published 1947), based on the life of feminist Susan B. Anthony. 

Stein became a legend in Paris, especially after surviving the German occupation of France in World War 2 and befriending the many young American servicemen who visited her. She wrote about these soldiers in Brewsie and Willie (1946). 

Encyclopaedia Britannica et al