Movement in German art that arose during the 1920s as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. As these artists—who included Max Beckmann, Otto Dix, and George Grosz—rejected the self-involvement and romantic longings of the expressionists, Weimar intellectuals in general made a call to arms for public collaboration, engagement, and rejection of romantic idealism.

Name	Years	Nation	Genre	Preview	Works	Rating
Max Beckmann	1884-1950	German	New Objectivity, Expressionism		8	1
Grosz, George	1893-1959	German	Dada, New Objectivity		147	1

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