Vicente Lopez y Portana (1772-1850) Spanish Neoclassicism, Rococo, Academic art Antonio Ugarte i ego zhena, Mariya Antoniya Larrasabal, 1833, 146 sm x 196 sm, holst, maslo Luis Veldrof, glavniy smotritel i konserzh korolevskogo dvorca, 1820, 99,5 sm x 80,5 sm, holst, masl Ignasio Guterres Solana, postavshik korolevskih konyushen, 1823, 99,5 sm x 76 sm, holst, maslo Pedro de Alkantara Alvares de Toledo i Salm-Salm, gercog ot infanterii, 1827, 230 sm x 165 sm, holst | | | |
Vicente López was a Neo-classicist painter but he retained certain traces of the Rococo style. He had the Neo-classical emphasis on masterly drawing, though with less rigidity. López is considered the best Spanish painter of his time, second only to Francisco José de Goya y Lucientes. One of his rivals was Agustín Esteve Marqués.
Lopez’s style is dominated by the influence of Anton Raphael Mengs and the Academicism and he was unaffected by the romanticism popular at the end of his career. López had great skills at drawing and with the use of the brush, but he did not achieve the level of genius as Goya did. His best works are probably his drawing and small scale painting. |
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